Source and licence
share: publiclycopolitanSource: OCR (300 dpi, psm 6 per crop of the Coptic block, model coptic = models/coptic.traineddata v3c) of pp. 188-196 of ~/Transmission/Coptic Gnostic Library/Coptic Gnostic Library vol 1 - Unknown.pdf = *The Coptic Gnostic Library* vol. 1 (Brill 2000); the Coptic text pages tools/cgl_stage.py selected (5 pages in all), each re-read by tools/cgl_reread.py — the block cropped on the PDF text layer with the printed line numbers left outside, the editors' square brackets taken out of the image and put back as [ ] — and filed in place of the B18 psm-3 read because the collation with Marcion improved (2.88 % -> 0.5 % disagreement; corpus/incoming/coptic-gnostic-library/_logs/reread.tsv)
Attribution: Coptic text of The Treatise on the Resurrection as printed in *The Coptic Gnostic Library*, gen. ed. James M. Robinson, vol. 1 (Leiden: Brill, 2000; reprint of the Nag Hammadi Studies edition), read by OCR. The ancient Coptic text is public domain; the edition's apparatus, notes and English translation are Brill's and are not reproduced. OCR text by the Kemetic project, Yousef Hanna 2026.
Licence: public domain — the ancient Coptic text of the Nag Hammadi codices (4th century), which no modern edition can bring back into copyright. The EDITION IS IN COPYRIGHT: *The Coptic Gnostic Library*, general editor J. M. Robinson, Brill 2000 (paperback reprint of Nag Hammadi Studies / Nag Hammadi and Manichaean Studies, 1975-1995), © Koninklijke Brill NV — its apparatus, notes, introductions and English translation are NOT reproduced in this repository and stay internal. RULED by Yousef 2026-09-12: "the ancient Coptic text is PD; the edition's apparatus, translation and notes are not" (outputs/TERMS_NOTES.md §B; LICENCES.md §12.7)
The text
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| p. 188 | |
| 1 | ⲟⲩⲛ ϩⲁⲉⲓⲛⲉ ⲡⲁϣⲏⲣⲉ ⲣⲏ ⲅⲓⲛⲟⲥ ⲉⲩⲱϣⲉ ⲁⲥⲃⲟ |
| 2 | ⲁϩⲁϩ ⲟⲩⲛⲧⲉⲩ ⲙ̄ⲙⲉⲩ ⲙⲡⲓⲥⲕⲟⲡⲟⲥ ⲉⲩⲉⲙⲁϩⲧⲉ ⲛ̅- |
| 3 | ϩⲛ̄ ⲍⲏⲧⲏⲙⲁ ⲉⲩϣⲁⲁⲧ ⲙⲡⲉⲩⲃⲱⲗ ⲁⲩⲱ ⲉⲩϣⲁⲛⲙⲉ- |
| 4 | ⲉⲧⲉ ⲁⲛⲉⲉⲓ ϣⲁⲩ ⲙⲉⲩⲉ ⲁϩⲛ̄ⲙⲛ̄ⲧⲛⲁϭ ⲛϩⲣⲏ ⲛϩⲏⲧⲟⲩ |
| 5 | ⲛ̃ϯⲙⲉⲩⲉ ⲛ̄ⲇⲉ ⲉⲛ ϫⲉ ⲁⲩⲁϩⲉ ⲁⲣⲉⲧⲟⲩ ⲙ̄ⲫⲟⲩⲛ ⲙ̅. |
| 6 | ⲡⲗⲟⲅⲟⲥ ⲛ̃ⲧⲙⲏⲉ ⲉⲩϣⲓⲛⲉ ⲛϩⲟⲩⲟ ⲁⲡⲉⲩⲙ̅ⲧⲁⲛ ⲡⲉⲉⲓ |
| 7 | ⲛ̃ⲧⲁϩⲛ̄ϫⲓⲧϥ̄ ϩⲓⲧⲙ̄ ⲡⲛ̄ⲥⲱⲧⲏⲣ ⲡⲛ̃̄ϫⲁⲉⲓⲥ ⲡⲉⲭⲣⲏⲥ- |
| 8 | ⲧⲟⲥ ⲛ̃ⲧⲁϩⲛ̄ϫⲓⲧϥ̄ ⲛ̄ⲧⲁⲣⲉⲛⲥⲟⲩ ⲱⲛ ⲧⲙⲏⲉ ⲁⲩⲱ |
| 9 | ⲁⲛⲙ̄ⲧⲁⲛ ⲙ̃ⲙⲁⲛ ⲁϩⲣⲏⲓ̈ ⲁϫⲱⲥ ⲁⲗⲗⲁ ⲉⲡⲉⲓⲇⲏ |
| 10 | ⲉⲕϣⲓⲛⲉ ⲙ̃̄ⲙⲁⲛ ⲁⲡⲉⲧⲉϣϣⲉ ϩⲛ̄ ⲟⲩϩⲗⲁϭ ⲉⲧⲃⲉ |
| 11 | ⲧⲁⲛⲁⲥⲧⲁⲥⲓⲥ ϯⲥϩⲉ ⲉⲓ ⲛⲉⲕ ϫⲉ ⲟⲩⲁⲛⲁⲅⲕⲁⲓⲟⲛ ⲧⲉ |
| 12 | ⲁⲩⲱ ⲟⲩⲛ ϩⲁϩ ⲙ̄ⲙⲉⲛ ⲟ ⲉⲓ ⲛ̄ⲁⲡⲓⲥⲧⲟⲥ ⲁⲣⲁⲥ ϩⲛ̄ⲕⲟⲩ- |
| 13 | ⲙⲉⲓ ⲛ̄ⲇⲉ ⲛⲉⲧϭⲓⲛⲉ ⲙⲙⲁⲥ ⲉⲧⲃⲉ ⲡⲉⲉⲓ ⲙⲁⲣⲉⲡⲗⲟⲅⲟⲥ |
| 14 | ϣⲱⲡⲉ ⲛⲉⲛ ⲉⲧⲃⲏⲧⲥ |
| 15 | ⲛ︦ ⲧⲁϩⲁⲡϫⲁⲉⲓⲥ ⲣ̄ ⲭⲣⲱ ⲛⲉϣ ⲛ̃ϩⲉ ⲛ︦ⲛ︦ϩⲃⲏⲩⲉ ⲉϥ- |
| 16 | ϣⲟⲟⲡ ϩⲛ̄ ⲥⲁⲣⲝ ⲁⲩⲱ ⲛ̄ⲧⲁ ⲣⲉϥⲟⲩⲁⲛϩϥ̄ ⲁⲃⲁⲗ ⲉⲩ- |
| 17 | ϣⲏⲣⲉ ⲛ̄ⲛⲟⲩⲧⲉ ⲡⲉ ⲁϥϩⲙⲁϩⲉ ϩⲛ̄ ⲡⲓⲧⲟⲡⲟⲥ ⲡⲉⲉⲓ |
| 18 | ⲉⲧⲕϩ:ⲙⲁⲥⲧ̄ ⲛ̄ϩⲏⲧϥ̄ ⲉϥϣⲉϫⲉ ⲓ ⲁⲡⲛⲟⲙⲟⲥ ⲛⲧⲫⲩⲥⲓⲥ |
| 19 | ⲉⲉⲓϫⲟⲩ ⲛ̃ⲇⲉ ⲙⲙⲁϥ ϫⲉ ⲡⲙⲟⲩ · ⲡϣⲏⲓⲣⲉ ⲛⲇⲉ ⲙ̃ⲡ- |
| 20 | ⲛⲟⲩⲧⲉ ⲣⲏⲅⲓⲛⲉ ⲛⲉⲩϣⲏⲣⲉ ⲛ̀ⲣⲱⲙⲉ ⲡⲉ ⲁⲩⲱ ⲛⲉϥⲉ‐ |
| 21 | ⲙⲁϩⲧⲉ ⲁⲣⲁⲩ ⲙ̄ⲡⲉ ⲥ̀ⲛⲉⲩ ⲉⲩⲛ̅̄ⲧⲉϥ ⲙ̅ⲙⲉⲩ ⲛ̅ⲧ) ⲙⲛ̅ⲧⲣⲱ‐ |
| 22 | ⲙⲉ ⲙⲛ̄ ⲧⲙⲛⲧⲛⲟⲩⲧⲉ ϫⲉⲕⲁⲥⲉ ⲉϥⲛⲁϫⲣⲟ ⲙ̄ⲙⲉⲛ ⲁⲡ- |
| 23 | ⲙⲟⲩ ⲁⲃⲁⲗ ϩⲓⲧⲙ̄ ⲡⲧⲣϥ̄ ϣⲱⲡⲉ ⲛ̄ϣⲏⲣⲉ ⲛ̄ⲛⲟⲩⲧⲉ ϩⲓ- |
| 24 | ⲧⲟⲟⲧϥ̄ ⲇⲉ ⲙⲡϣⲏⲣⲉ ⲙ̄ ⲡⲣⲱⲙⲉ ⲉⲣⲉⲧⲁⲡⲟⲕⲁⲧⲁⲥⲧⲁ‐ |
| 25 | ⲥⲓⲥ ⲛⲁϣⲱⲡⲉ ⲁϩⲟⲩⲛ ⲁⲡ ⲡⲗⲏⲣⲱⲙⲁ ⲉⲡⲉⲓⲇⲏ ⲛ̀ϣⲁ- |
| 26 | ⲣⲡ̄ ⲉϥϣⲟⲟⲡ ⲁⲃⲁⲗ ϩⲙ̄ ⲡⲥⲁ ⲛⲧⲡⲉ ⲛⲥⲡⲉⲣⲙⲁ ⲛ̅ⲧ- |
| 27 | ⲙⲏⲉ ⲉⲙ ⲡⲁⲧⲉϯⲥⲩⲥⲧⲁⲥⲓⲥ ϣⲱⲡⲉ ϩⲛ̅ ⲧⲉⲉⲓ ⲁϩⲛ̅‐ |
| 28 | ⲙⲛ̄ⲧϫⲁⲉⲓⲥ ⲙⲛ̄ ϩⲛ̃̄ⲙⲛ̃ⲧⲛⲟⲩⲧⲉ ϣⲱⲡⲉ ⲉⲛⲁ ϣⲱⲟⲩ |
| 29 | ϯⲥⲁⲩⲛⲉ ϫⲉ ⲉⲉⲓⲧⲉⲩⲟ ⲙⲡⲃⲱⲗ ϩⲛ̅ ϩⲛ̅ ϩⲃⲏⲩⲉ ⲛ̅‐ |
| 30 | ⲇⲩⲥⲕⲟⲗⲟⲛ ⲁⲗⲗⲁ ⲙⲛ̅ ⲗⲁⲩⲉ ⲛ̅ ⲇⲩⲥ̀ⲕⲟⲗⲟⲛ ϣⲟⲟⲡ |
| 31 | ϩⲙ ⲡⲗⲟⲅⲟⲥ ⲛ̃ⲧⲙⲏⲉ ⲁⲗⲗⲁ ⲉⲡⲉⲓⲇⲏ [ⲉⲧⲣⲉ] ⲡⲃⲱⲗ |
| 32 | ⲛ̄ⲧⲁϥⲉⲓ ⲁⲃⲁⲗ ⲁⲧⲙⲏⲧⲉ ⲁⲧⲙ̄ⲕⲉ ⲗⲁⲩⲉ ⲉϥϩⲏⲡ ⲁⲗ- |
| 33 | ⲗⲁ ⲁⲧⲣⲉϥⲟⲩⲱⲛϩ̄ ⲁⲃⲁⲗ ⲙ̄ⲡⲧⲏⲣϥ̄ ϩⲁⲡⲗⲱⲥ ⲉⲧⲃⲉ |
| 34 | ⲡϣⲱⲡⲉ ⲡⲃⲱⲗ ⲁⲃⲁⲗ ⲙ̃ⲙⲉⲛ ⲙ̄ⲡⲡⲉⲑⲁⲩ ⲡⲟⲩⲱⲛϩ |
| p. 190 | |
| 35 | ⲇⲉ ⲁ ⲃⲁⲗ ⲙ̄ⲡⲉⲧⲥⲁⲧⲡ̄ • ⲧⲉⲉⲓ ⲧⲉ ⲧⲡⲣⲟⲃⲟⲗⲏ ⲛ̃ⲧⲙⲏⲉ |
| 36 | ⲙⲛ̄ ⲡⲉ ⲡⲛⲉⲩⲙⲁ ⲧⲉⲭⲁⲣⲓⲥ ⲧⲁ ⲧⲙⲏ ⲉ ⲧⲉ |
| 37 | ⲡⲥⲱⲧⲏⲣ ⲁϥⲱⲙⲛ̄ⲕ ⲙ̅ ⲡⲙⲟⲩ ⲛ̃ⲕⲏⲡ ⲉⲛ ⲁⲣ ⲁⲧⲥ ⲁⲩ‐ |
| 38 | ⲛⲉ ⲁϥⲕⲱⲉ ⲛⲅⲁⲣ ⲁϩⲣⲏⲓ̈ ⲙⲡⲕⲟⲥⲙⲟⲥ ⲉϣⲁϥⲧⲉⲕⲟ |
| 39 | ⲁϥϣϥ̄[ⲧϥ] ⲁϩⲟⲩⲛ ⲁⲩⲁⲓⲱⲛ ⲛ̃ⲁⲧⲧⲉⲕⲟ ⲁⲩⲱ ⲁϥ. |
| 40 | ⲧⲟⲩⲛⲁⲥϥ̄ ⲉⲁϥⲱⲙⲛ̃̄ⲕ ⲙ̃ⲡⲉⲧⲟⲩⲁⲛϩ̄ ⲁⲃⲁⲗ ⲁⲃⲁⲗ |
| 41 | ϩⲓⲧⲟⲟⲧϥ̄ ⲙ̄ⲡⲁⲧⲛⲉⲩ ⲁⲣⲁϥ ⲁⲩⲱ ⲁϥϯ ⲛⲉⲛ ⲛⲧⲉϩⲓⲏ |
| 42 | ⲛ̃ⲧⲛ̄ⲙⲛ̃ⲧⲁⲧⲙⲟⲩ ⲧⲟⲧⲉ ϭⲉ ⲛ̄ⲑⲉ ⲛ̃ⲧⲁϩⲁⲡⲁⲡⲟⲥⲧⲟ‐ |
| 43 | ̃ⲗⲟⲥ ϫⲟⲟϥ ϫⲉ ⲁⲛϣⲡ̄ ϩⲓⲥⲉ ⲛⲙ̄ⲙⲉϥ ⲁⲩⲱ ⲁⲛⲧⲱⲱⲛ |
| 44 | ⲓ ⲛⲙ ⲙⲉϥ ⲁⲩⲱ ⲁⲛⲃⲱⲕ ⲁⲧⲡⲉ ⲛⲙ̄ⲙⲉϥ ⲉⲓϣⲡⲉ ⲧⲛ̅̄ϣⲟ‐ |
| 45 | Ⲓⲟⲡ ⲛⲇⲉ ⲉⲛⲟⲩⲁⲛϩ̄ ⲁⲃⲁⲗ ϩⲙ̄ ⲡⲓⲕⲟⲥⲙⲟⲥ ⲉⲛⲣ̅ |
| 46 | ⲫⲟⲣⲉⲓ ⲙ̄ ⲙⲁϥ ⲉⲛϣⲟⲟⲡ ⲛ̃ⲁⲕⲧⲓⲛ ⲙ̄ⲡⲉⲧⲙ̅ⲙⲉⲩ ⲁⲩⲱ |
| 47 | ⲉⲩⲉ ⲙⲁϩⲧⲉ ⲙ̄ⲙⲁⲛ ⲁⲃⲁⲗ ϩⲓⲧⲟⲟⲧϥ̄ ϣⲁ ⲡⲛ̄ϩⲱⲧⲡ |
| 48 | ⲉⲧⲉ ⲡⲉ ⲉⲓ ⲡⲉ ⲡⲉⲛⲙⲟⲩ ϩⲙ̄ ⲡⲉⲉⲓⲃⲓⲟⲥ ⲉⲩⲥⲱⲕ ⲙ̅̀ⲙⲁⲛ |
| 49 | ⲁⲧⲡⲉ ⲁ ⲃⲁⲗ ϩⲓⲧⲟⲟⲧϥ̄ ⲛ̄ⲑⲉ ⲛⲛⲓⲁⲕⲧⲓⲛ ϩⲓⲧⲙ̄ ⲡⲣⲏ |
| 50 | ⲉⲛⲥⲉⲉⲙⲁϩⲧⲉ ⲙ̄ ⲙⲁⲛ ⲉⲛ ϩⲓⲧⲛ̄ ⲗⲁⲩⲉ ⲧⲉⲉⲓ ⲧⲉ |
| 51 | ⲓ ⲧⲁⲛⲁⲥⲧⲁⲥⲓⲥ ⲛ̄ⲡⲛⲉⲩⲙⲁ ⲧⲓⲕⲏ ⲉⲥⲱⲙⲛ̅ⲕ ⲛⲧⲯⲩⲭⲓⲕⲏ |
| 52 | ⲓ ϩⲟⲙⲟⲓⲱⲥ ⲙⲛ̅ ⲧⲕⲉⲥⲁⲣⲕⲓⲕⲏ |
| 53 | ⲉⲓϣⲡⲉ ⲟⲩⲛ ⲟⲩⲉⲉⲓ ⲛ̄ⲇⲉ ⲉⲙϥ̄ ⲡⲓⲥⲧⲉⲩⲉ ⲉⲛ ⲙⲛ̅ⲧⲉϥ |
| 54 | ⲙ̄ⲙⲉⲩ ⲙ̄ ⲡⲣ̄ ⲡⲉⲓⲑⲉ · ⲡⲧⲟⲡⲟⲥ ⲅⲁⲣ ⲛⲧⲡⲓⲥⲧⲓⲥ ⲡⲉ ⲡⲁ‐ |
| 55 | ϣⲏⲣⲉ ⲁⲩⲱ ⲡⲁ ⲡⲣ̄ ⲡⲉⲓⲑⲉ ⲉⲛ ⲡⲉ ⲡⲉⲧⲙⲁⲁⲩⲧ ⲛⲁ‐ |
| 56 | )ⲧⲱⲱⲛ ⲁⲩⲱ ⲟⲩⲛ ⲡⲉⲧⲣ̄ ⲡⲓⲥⲧⲉⲩⲉ ϩⲛ̅ ⲛ̄ⲫⲓⲗⲟⲥⲟⲫⲟⲥ |
| 57 | ⲉⲧⲛ̄ⲛⲓⲙⲁ ⲁⲗⲗⲁ ϥ̄ⲛⲁⲧⲱⲱⲛ ⲁⲩⲱ ⲡⲫⲓⲗⲟⲥⲟⲫⲟⲥ |
| 58 | ⲉⲧⲛ̄ⲛⲓⲙⲁ ⲙ̄ⲡⲱⲣ ⲁⲧⲣⲉϥ ⲡⲓⲥⲧⲉⲩⲉ ⲟⲩⲣⲉϥⲕⲧⲟ ⲙⲙⲁϥ |
| 59 | ⲟⲩ[ⲁ]ⲉⲉⲧϥ̄ ⲁⲩⲱ ⲉⲧⲃⲉ ⲧⲛ̄ⲡⲓⲥⲧⲓⲥ [ⲁϩ]ⲛ̅ⲥⲟⲩⲛ̅ |
| 60 | ⲡϣⲏⲣⲉ ⲛⲅⲁⲣ ⲙ̄) ⲡⲣⲱⲙⲉ ⲁⲩⲱ ⲁϩⲛⲡⲓⲥⲧⲉⲩⲉ ϫⲉ ⲁϥ |
| 61 | ⲧⲱⲟⲩⲛ ⲁⲃⲁⲗ ϩⲛ̄ ⲛⲉⲧ* ⲙⲁⲟⲩⲧ ⲁⲩⲱ ⲡⲉⲉⲓ ⲡⲉⲧⲛ̄ϫⲟⲩ |
| 62 | ⲙⲙⲁϥ ϫⲉ ⲁϥϣⲱⲡⲉ ⲛⲃⲱⲗ ⲁⲃⲁⲗ ⲙⲡⲙⲟⲩ ϩⲱⲥ |
| 63 | ⲟⲩⲛⲁϭ ⲡⲉ *ⲡ ⲉⲧⲟⲩⲣ̄ ⲡⲓⲥⲧⲉⲩⲉ ⲁⲣⲁϥ̅ ϩⲛ ⲛⲁⲧ ⲛⲉ |
| 64 | ⲛⲉⲧⲣ ⲡⲓⲥⲧⲉⲩⲉ |
| 65 | ⲛϥⲛⲁ ⲧⲉⲕⲟ ⲉⲛ ⲛ̄ϭⲓ ⲡⲙⲉⲩⲉ ⲛ̃ⲛⲉⲧⲟⲩⲁϫ ⲛ̃ϥⲛⲁⲧⲉ‐ |
| 66 | ⲕⲟ ⲉⲛ ⲛ̄ϭⲓ ⲡⲛⲟⲩⲥ ⲛ̃ⲛⲉⲧⲁϩⲥⲟⲩⲱⲱⲛϥ̄ ⲉⲧⲃⲉ ⲡⲉⲉⲓ |
| 67 | ⲧⲛ̄ⲥⲁⲧⲡ ⲁϩⲟⲩⲛ ⲁⲡⲟⲩϫⲉⲉⲓ ⲙⲛ̄ ⲡⲥⲱⲧⲉ ⲉ ⲁϩⲟⲩ |
| 68 | ⲧⲁϣⲛ̄ ϫⲓⲛ ⲛ̄ϣⲁⲣⲡ̄ ⲁⲧⲣ̄ⲛⲧⲙ̅ ϩⲁⲉⲓⲉ ϩⲛ̄ ⲧⲙⲛ̄ⲧ ⲁⲑⲏⲧ |
| p. 192 | |
| 69 | ⲛ̄ⲛⲉⲧⲟⲉⲓ ⲛ̄ⲁⲧⲥ ⲁⲩⲛⲉ ⲁⲗⲗⲁ ⲉⲛⲁⲉⲓ ⲁϩⲟⲩⲛ ⲁⲧⲙⲛ̅ⲧ- |
| 70 | ⲣⲙ̄ ⲉⲛϩϩⲏⲧ ⲛ̃ⲛⲉⲧⲁϩⲥ ⲟⲩⲱⲛ ⲧ ⲙⲏⲉ ⲧⲙⲏⲉ ϭⲉ ⲉⲧⲟⲩ |
| 71 | ⲣⲁⲉⲓⲥ ⲁ̀ⲣⲁⲥ ⲙⲛ̄ ϣϭⲁⲙ ⲛ̃ⲕⲁⲁⲥ ⲁ ⲃⲁⲗ ⲟⲩⲧⲉ ⲛⲉⲥ- |
| 72 | ϣⲱⲡⲉ ⲟⲩ ϫⲱⲣⲉ ⲡⲉ Ϫⲡϩⲥⲩⲥⲧⲏⲙⲁ ⲙ̄ⲡ ⲡⲗⲏⲣⲱⲙⲁ |
| 73 | ⲟⲩⲕⲟⲩⲉⲓ ⲡⲉ ⲡⲉⲛⲧⲁϩⲃⲱⲗ ⲁⲃⲁⲗ ⲁϥϣⲱⲡⲉ ⲙ̃ⲕⲟⲥ- |
| 74 | ⲙⲟⲥ ⲡⲧⲏⲣϥ̄ ⲛ̃ⲇⲉ ⲡⲉ ⲡⲉⲧⲟⲩⲉⲙⲁϩⲧⲉ ⲙⲙⲁϥ ⲙⲡⲉϥ |
| 75 | ϣⲱⲡⲉ ⲛⲉϥϣⲟⲟⲡ ⲡⲉ ϩⲱⲥⲧⲉ ⲙ̄ⲡⲱⲣ ⲁⲣ ⲇⲓⲥⲧⲁⲍⲉ |
| 76 | ⲉⲧⲃⲉ ⲧⲁⲛⲁⲥⲧⲁⲥⲓⲥ ⲡⲁϣⲏⲣⲉ ⲣⲏⲅⲓⲛⲉ ⲉⲓϣⲡⲉ ⲛⲉⲕ- |
| 77 | ϣⲟⲟⲡ ⲛ̃ⲅⲁⲣ ⲉⲛ ϩⲛ̄ ⲥⲁⲣⲝ ⲁⲕϫⲓ ⲥⲁⲣⲝ ⲛ̃ⲧⲁⲣⲉⲕⲉⲓ |
| 78 | ⲁϩⲟⲩⲛ ⲁⲡⲓⲕⲟⲥⲙⲟⲥ ⲉⲧⲃⲉ ⲉⲩ ⲛ̃̄ⲕⲛⲁϫⲓ ⲉⲛ ⲛⲧⲥⲁⲣⲝ |
| 79 | ⲉⲕϣⲁⲛⲃⲱⲕ ⲁϩⲣⲏⲓ̈ ⲁϩⲟⲩⲛ ⲁⲡⲁⲓⲱⲛ ⲡⲉⲧⲥⲁⲧⲡ̄ |
| 80 | ⲁⲧⲥⲁⲣⲝ ⲡⲉⲧϣⲟⲟⲡ ⲛⲉⲥ ⲛⲁⲓⲧⲓⲟⲥ ⲙ̄ⲡⲱⲱⲛϩ̄ ⲡⲉⲧ‐ |
| 81 | ϣⲱⲡⲉ ⲉⲧⲃⲏⲧⲕ ⲙⲏ ⲙ̄ ⲡⲱⲕ ⲉⲛ ⲡⲉ ⲡⲉⲧⲉ ⲡⲱⲕ ⲡⲉ |
| 82 | ⲓ ⲙⲏ ⲛ̃ϥϣⲟⲟⲡ ⲉⲛ ⲛⲙ̄ⲙⲉⲕ ⲁⲗⲗⲁ ⲉⲕⲛ̄ⲛⲓⲙⲁ ⲉⲩ ⲡⲉ |
| 83 | ⲉⲧⲕ ϣⲁⲁⲧ ⲙⲙⲁϥ ⲡⲉⲉⲓ ⲡⲉ ⲛ̃ⲧⲁ ⲕⲣ̄ ⲥⲡⲟⲩⲇⲁⲍⲉ |
| 84 | ⲁⲥⲃⲟ ⲁⲣⲁϥ |
| 85 | ⲡⲭⲟⲣⲓⲟⲛ ⲙⲡⲥⲱⲙⲁ ⲉⲧⲉ ⲡⲉⲉⲓ ⲡⲉ ⲧⲙⲛⲧϩⲗⲗⲟ |
| 86 | ⲁⲩⲱ ⲕϣⲟⲟⲡ ⲛⲧⲉⲕⲟ ⲟⲩⲛⲧⲉⲕ ⲙ̄ ⲙⲉⲩ ⲛ̃ⲧⲁⲡⲟⲩⲥⲓⲁ |
| 87 | ⲛⲟⲩϩⲏⲩ ⲛ̃ⲕⲛⲁϯ ⲛⲅⲁⲣ ⲉⲛ ⲙⲡⲉⲧ ⲥ ⲁⲧⲡ ⲉⲕϣⲁⲛⲃⲱⲕ |
| 88 | ⲡⲉⲑⲁⲩ ⲟⲩⲛⲧⲉϥ ⲙ̄ⲙⲉⲩ ⲙ̃ⲡϭⲱϫⲃ̄ ⲁⲗⲗⲁ ⲟⲩⲛ̅ |
| 89 | ϩⲙⲁⲧ ⲁⲣⲁϥ |
| 90 | ⲙⲛ̄ ⲗⲁ ⲁⲩⲉ ϭⲉ ⲥⲱⲧ ⲙ̄ⲙⲁⲛ ⲁⲃⲁⲗ ⲛⲛⲓⲙⲁ ⲁⲗⲗⲁ |
| 91 | ⲡⲧⲏⲣϥ̄ ⲉⲧⲉ ⲁⲛⲁⲛ ⲡⲉ ⲧⲛ̄ⲟⲩⲁϫ ⲁϩⲛ̄ϫⲓ ⲙ̄ⲡⲟⲩϫⲉⲉⲓ |
| 92 | ϫⲓⲛⲣ ⲁⲣⲏϫϥ̄ ϩⲁ ⲑⲁⲏ ⲙⲁⲣⲛ̄ⲙⲉⲩⲉ ⲛϯϩⲉ ⲉⲥ ⲙⲁⲣⲛ̅ϫⲓ |
| 93 | ⲛ̃ϯϩⲉⲉⲥ |
| 94 | ⲁⲗⲗⲁ ⲟⲩⲛ̄ ϩⲁⲉⲓⲛⲉ ⲟⲩⲱϣⲉ ⲁⲙ̀ⲙⲉ ⲛⲁϩⲣⲉ ⲡϣⲓ |
| 95 | ⲛⲉ ⲉⲧⲃⲉ ⲛⲉⲧⲟⲩϣⲓⲛⲉ ⲉⲧⲃⲏⲧⲟⲩ ⲉⲓϣ ⲡⲉ ⲡⲉⲧⲟⲩⲁϫ |
| 96 | ⲉϥϣⲁⲛⲕⲱⲉ ⲛ̃ⲥⲱϥ ⲙⲡⲉϥⲥⲱⲙⲁ *ⲉϥⲛⲁ ⲟⲩϫⲉⲉⲓ |
| 97 | ⲛ̃̄ⲧⲟⲩⲛⲟⲩ ⲙ̄ⲡⲣ̄ⲧⲣⲉ ⲗⲁⲩⲉ ⲣ̄ ⲇⲓⲥⲧⲁⲍⲉ ⲉⲧⲃⲉ ⲡⲉⲉⲓ |
| 98 | ⲛ̄ⲛⲉⲥ ⲛ̄ϩⲉ ϭⲉ ⲛ̄ⲙⲉⲗⲟⲥ ⲉⲧⲟⲩ ⲁⲁⲛϩ̄ ⲁⲃⲁⲗ ⲉⲧⲙⲁ‐ |
| 99 | ⲟⲩⲧ ⲛ̄ⲥⲉ ⲛⲁⲟⲩϫⲉⲉⲓ ⲉⲛ ϫⲉ ⲛ̄ⲙⲉⲗ[ⲟ]ⲥ ⲉⲧⲁⲁⲛϩ̄ ⲉⲧ‐ |
| 100 | ϣⲟⲟⲡ ⲛ̄ ϩⲣⲏⲓ ⲛ̅ ϩⲏⲧⲟⲩ ⲛⲉⲩⲛⲁⲧⲱⲟⲩⲛ ⲡⲉ |
| p. 194 | |
| 101 | ⲉⲩ ϭⲉ ⲧⲉ ⲧⲁⲛⲁⲥⲧⲁⲥⲓⲥ ⲡϭⲱⲗⲡ̄ ⲁⲃⲁⲗ ⲡⲉ ⲛ̅. |
| 102 | ⲟⲩⲁⲉⲓϣ ⲛⲓⲙ ⲛ︦ ⲛⲉⲧⲁϩⲧⲱⲟⲩⲛ ⲉⲓϣⲡⲉ ⲁⲕⲣ̄ ⲡⲙⲉⲩⲉ |
| 103 | ⲛⲅⲁⲣ ⲉⲕⲱϣ ϩⲙ̄ ⲡⲉⲩⲁⲅⲅⲉⲗⲓⲟⲛ ϫⲉ ⲁϩⲏⲗⲉⲓⲁⲥ ⲟⲩ‐- |
| 104 | ⲱⲛϩ̄ ⲁⲃⲁⲗ ⲁⲩⲱ ⲙⲱⲩⲥⲏⲥ ⲛⲙ̄ⲙⲉϥ ⲙ̄ⲡⲱⲣ ⲁⲙⲉⲩⲉ |
| 105 | ⲁⲧⲁⲛⲁⲥⲧⲁⲥⲓⲥ ϫⲉ ⲟⲩⲫⲁⲛⲧⲁⲥⲓⲁ ⲧⲉ ⲟⲩⲫⲁⲛⲧⲁⲥⲓⲁ |
| 106 | ⲉⲛ ⲧⲉ ⲁⲗⲗⲁ [ⲟ]ⲩⲙⲏⲉ ⲧⲉ ⲛ̃ϩⲟⲩⲟ ⲛⲇⲉ ⲟⲩ‐ |
| 107 | ⲡⲉⲧⲉⲥ ϣⲉ ⲡⲉ ⲁϫⲟⲟⲥ ϫⲉ ⲟⲩ ⲫⲁⲛⲧⲁⲥⲓⲁ ⲡⲉ ⲡⲕⲟⲥ- |
| 108 | ⲙⲟⲥ ⲛ̃ϩⲟⲩⲟ ⲁⲧⲁⲛⲁⲥⲧⲁⲥⲓⲥ ⲧⲉⲉⲓ ⲉⲛⲧⲁⲥϣⲱⲡⲉ |
| 109 | ⲁⲃⲁⲗ ϩⲓⲧⲟⲟⲧϥ̄ ⲙ̄ⲡⲉⲛϫⲁⲉⲓⲥ ⲡⲥⲱⲧⲏⲣ ⲓⲏ(ⲥⲟⲩⲓⲥ |
| 110 | ⲡⲉⲭⲣⲏⲥⲧⲟⲥ |
| 111 | ⲉⲧⲃⲉ ⲉⲩ ⲛⲇⲉ ⲉⲉⲓⲧⲁⲙⲟ ⲙ̄) ⲙⲁⲕ ⲛ̄ⲧⲉⲩⲛⲟⲩ ⲛⲉⲧⲁ- |
| 112 | ⲓⲁⲛϩ̄ ⲥⲉⲛⲁⲙⲟⲩ ⲡⲱⲥ ⲉⲩⲁⲛϩ̄ ϩⲛ̄ ⲟⲩⲫⲁⲛⲧⲁⲥⲓⲁ ⲛ̅‐ |
| 113 | ⲣⲙ̄ⲁⲁⲉⲓ ⲁⲩⲣ̄ ϩⲏⲕⲉ ⲁⲩⲱ ⲛⲛ̄ⲣⲁⲉⲓ ⲁⲩϣⲣϣⲱⲣⲟⲩ |
| 114 | ⲡⲧⲏⲣϥ̄ ϣⲁⲣⲉⲃ ϣⲃ̄ⲉⲓⲉ ⲟⲩⲫⲁⲛⲧⲁⲥⲓⲁ ⲡⲉ ⲡⲕⲟⲥⲙⲟⲥ |
| 115 | ϫⲉⲕⲁⲥⲉ ϭⲉ ⲛⲓⲣ̄ ⲕⲁⲧⲁⲗⲁⲗⲉⲓ ⲥⲁ ⲛϩⲃⲏⲩⲉ |
| 116 | ⲁⲡⲉϩⲟⲩⲟ |
| 117 | ⲁⲗⲗⲁ ⲧⲁⲛⲁⲥⲧⲁⲥⲓⲥ ⲙⲛ̄ⲧⲉⲥ ⲙ̄ⲙⲉⲩ ⲙ̄ⲡⲓⲥⲙⲁⲧ |
| 118 | ⲛϯⲙⲓⲛⲉ ϫⲉ ⲧⲙⲏⲉ ⲧⲉ ⲡⲉ ⲡⲉⲧⲁϩⲉ ⲁⲣⲉⲧϥ̄ ⲁⲩⲱ |
| 119 | ⲡⲟⲩⲱⲛϩ̄ ⲁⲃⲁⲗ ⲙ̄ⲡⲉ ⲧϣⲟⲟⲡ ⲡⲉ ⲁⲩⲱ ⲡϣⲃ̄ⲉⲓ ⲉ ⲡⲉ |
| 120 | ⲛ︦ⲛ︦ ϩⲃⲏⲩⲉ ⲁⲩⲱ ⲟⲩ ⲙⲉⲧⲁⲃⲟⲗⲏ ⲁϩⲟⲩⲛ ⲁⲩⲙⲛⲧⲃⲣⲣⲉ |
| 121 | ⲧⲙⲛ̄ⲧⲁⲧⲧⲉⲕⲟ ⲛⲅⲁⲣ [ⲥ ϩⲉϯⲉ] Ⲙⲁϩⲣⲏⲓⲃ ⲁⲡⲓⲧⲛ̅ ⲁⲭⲙ̅ |
| 122 | ⲓ ⲡⲧⲉⲕⲟ ⲁⲩⲱ ⲡⲟⲩⲁⲉⲓⲛ ϥϩⲉϯⲉ ⲁⲡⲓⲧⲛ̄ ⲁϫⲙ̅ ⲡⲕⲉ |
| 123 | ⲕⲉⲓ ⲉϥ ⲱⲙⲛ̄ⲕ ⲙⲙⲁϥ ⲁⲩⲱ ⲡⲡⲗⲏ ⲣⲱⲙⲁ ϥϫⲱⲕ ⲁⲃⲁⲗ |
| 124 | ⲙ̄ⲡⲉϣⲧⲁ ⲛⲉⲉⲓ ⲛⲉ ⲛ̃ⲥⲩⲙⲃⲟⲗⲟⲛ ⲙⲛ̄ ⲛ̃ⲧⲁⲛⲧⲛ̄ ⲛ̄ⲧ- |
| 125 | ⲁⲛⲁⲥⲧⲁⲥⲓⲥ ⲛ̄ⲧⲁϥ ⲡⲉ ⲉⲧⲧⲁⲙⲓⲟ ⲙⲡⲡⲉⲧⲛⲁⲛⲟⲩϥ |
| 126 | ϩⲱⲥⲧⲉ ⲙ̄ⲡⲱⲣ ⲁⲣ ⲛⲟⲉⲓ ⲙⲉⲣⲓⲕⲱⲥ ⲱ ⲣⲏⲅⲓⲛⲉ ⲟⲩ‐ |
| 127 | ⲧⲉ ⲙ̄ⲡⲣ︦ⲣ︦ ⲡⲟⲗⲓⲧⲉⲩⲉ ⲥⲑⲁⲓ ⲕⲁⲧⲁ ⲧⲉⲉⲓⲥⲁⲣⲝ ⲉⲧⲃⲉ |
| 128 | ⲓ ⲧⲙⲛ̄ⲧⲟⲩⲉⲉⲓ ⲁⲗⲗⲁ ⲁⲙⲟⲩ ⲁ ⲃⲁⲗ ϩⲛ̄ ⲛ̄ⲙⲉⲣⲓⲥⲙⲟⲥ ⲙⲛ̅ |
| 129 | ⲛ︦ ϧⲙⲣ︦ⲣⲉ ⲁⲩⲱ ⲏⲇⲏ ⲟⲩⲛⲧⲉⲕ ⲙ̄ⲙⲉⲩ ⲛⲧⲁⲛⲁⲥⲧⲁⲥⲓⲥ |
| 130 | ⲉⲓϣ ⲡⲉ ⲡⲉⲧⲛⲁⲙⲟⲩ ⲛⲅⲁⲣ ϥ̄ⲥ ⲁⲩ ⲛⲉ ⲁⲣⲁϥ ⲟⲩⲁⲉⲉⲧϥ̅ |
| 131 | ϫⲉ ⲉϥⲛⲁⲙⲟⲩ ⲕⲁⲛ ⲉϥϣⲁⲛⲣ̄ ϩⲁϩ ⲛ̃ⲣⲁⲙⲡⲉ ϩⲙ̄ |
| 132 | ⲡⲉⲉⲓⲃⲓⲟⲥ ⲥⲉ ⲉⲓⲛⲉ ⲙⲙⲁϥ ⲁϩⲟⲩⲛ ⲁⲡⲉⲉⲓ ⲉⲧⲃⲉ ⲉⲩ |
| 133 | ⲛ̃̄ⲧⲁⲕ ⲛ̃ⲕⲛⲉⲩ ⲁⲣⲁⲕ ⲉⲛ ⲟⲩⲁⲉⲉⲧⲕ̄ ⲉ ⲁⲕⲧⲱⲟⲩⲛ |
| 134 | ⲁⲩⲱ ⲥⲉⲉⲓⲛⲉ ⲙⲙⲁⲕ ⲁϩⲟⲩⲛ ⲁⲡⲉ ⲉⲓ ⲉⲓϣⲡⲉ ⲟⲩⲛⲧⲉⲕ |
| 135 | ⲙ̄ⲙⲉⲩ ⲙ̄ ⲡⲧⲱⲟⲩⲛ ⲁⲗⲗⲁ ⲕϭⲉⲉⲧ• ϩⲱⲥ ⲉⲕⲛⲁⲙⲟⲩ |
| 136 | ⲕⲁⲓⲧⲟⲓⲅⲉ ⲡⲏ ϥ̄ⲥ ⲁⲩ) ⲛⲉ ϫⲉ ⲁϥⲙⲟⲩ ⲉⲧⲃⲉ ⲉⲩ ϭⲉ |
| p. 196 | |
| 137 | ⲓ ϯⲕⲱⲉ ⲁⲃⲁⲗ ⲛ̄ⲥⲁ ⲧⲉⲕⲙⲛ̄ⲧ ⲁⲧⲣ̄ ⲅⲩⲙⲛⲁⲍⲉ ⲥϣⲉ |
| 138 | ⲁⲡⲟⲩ ⲉⲉⲓ ⲡⲟⲩⲉⲉⲓ ⲁⲧⲣⲉϥⲣ̄ ⲁⲥⲕⲉⲓ ⲛ̃ⲟⲩⲁⲡⲥ̄ ⲛ̄ ϩⲉⲉⲥ |
| 139 | ⲁⲩⲱ ⲛ̄ⲥ ⲉ ⲃⲁⲗϥ̄ ⲁⲃⲁⲗ ⲙ̄ ⲡⲓⲥⲧⲟⲓⲭⲉⲓⲟⲛ ϫⲉⲕⲁⲥⲉ ⲛϥⲣ |
| 140 | ⲡⲗⲁⲛⲁ ⲁⲗⲗⲁ ⲉϥⲛⲁϫⲓ ⲙ̄ⲙⲁϥ ⲟⲩⲁⲉⲉⲧϥ̄ ⲛ̄ⲕⲉ ⲥ ⲁⲡ |
| 141 | ⲡⲉⲉⲓ ⲉⲧϣⲣⲡ̄ ⲛ̄ϣⲟ ⲟⲡ |
| 142 | ⲛⲉⲉⲓ ⲛ̃̄ⲧⲁϩⲓϫⲓⲧⲟⲩ ⲁⲃⲁⲗ ϩⲛ̄ ⲧⲙⲛ̄ⲧⲁⲧⲣ̄ ⲫⲑⲟⲛⲉⲓ |
| 143 | ⲙ̄ⲡⲁ ϫⲁⲉⲓⲥ ⲛ(ⲏⲥⲟⲩⲓ)ⲥ ⲡⲉⲭⲣⲏⲥⲧ[ⲟⲥ ⲁⲓⲧⲥ]ⲉ ⲃⲁⲕ |
| 144 | ⲁⲣⲁⲩ ⲙⲛ̄ ⲛⲉⲕⲥⲛ[ⲏⲩ] ⲛⲁϣⲏⲣⲉ ⲉⲙⲡⲓⲕⲉ ⲗⲁⲩⲉ ⲛ̄ⲥⲱ- |
| 145 | ⲉⲓ ϩⲛ̄ ⲛⲉⲧⲉⲥϣⲉ ⲁⲡⲧⲁϫⲣⲉ ⲧⲏⲩⲧⲛ̄ ⲉⲓϣⲡⲉ ⲟⲩⲛ |
| 146 | ⲟⲩⲉⲉⲓ ⲛⲇⲉ ⲥⲏϩ ⲉϥϣⲏⲕ ϩⲛ̄ ⲧⲁⲡⲁⲅⲅⲉⲗⲓⲁ ⲙ̅ ⲡⲗⲟ‐ |
| 147 | ⲅⲟⲥ ϯⲛⲁⲃⲁⲗϥ̄ ⲁⲣⲱⲧⲛ ⲉ ⲣⲉⲧⲛ̄ϣⲓⲛⲉ ϯⲛⲟⲩ ⲛⲇⲉ ⲙ̅‐ |
| 148 | ⲡⲣ︦ⲣ︦ ⲫⲑⲟⲛⲉⲓ ⲁⲗⲁⲩⲉ ⲉⲧⲏⲡ ⲁ ⲣⲁⲕ ⲉⲩⲛ̅ ϭⲁⲙ ⲙⲙⲁϥ |
| 149 | ⲛ︦ⲣ︦ ⲱⲫⲉⲗⲉⲓ |
| 150 | ⲟⲩⲛ ϩⲁϩ ϭⲱϣⲧ̄ ⲁϩⲟⲩⲛ ⲁⲡⲉⲉⲓ ⲡⲉⲉⲓ ⲛ̄ⲧⲁⲉⲓ- |
| 151 | ⲥϩⲉⲉⲓ ⲙⲙⲁϥ ⲛⲉⲕ ⲛⲉⲉⲓ ϯⲧⲁⲙⲟ ⲙ̄ⲙⲁⲩ ⲁϯⲣⲏⲛⲏ |
| 152 | ⲛ̄ ϩⲏⲧⲟⲩ ⲙⲛ̄ ⲧⲉⲭⲁⲣⲓⲥ ϯϣⲓⲛⲉ ⲁⲣⲁⲕ ⲙⲛ̄ ⲛⲉⲧⲙⲁⲉⲓⲉ |
| 153 | ⲙ̄ⲙⲱⲧⲛ̄ ⲉⲩⲟⲉⲓ ⲙ̄ⲙⲁⲉⲓⲥⲁⲛ |
| 154 | ⲡⲗⲟⲅⲟⲥ ⲉⲧⲃⲉ ⲧⲁⲛⲁⲥⲧⲁⲥⲓⲥ |
Provenance
- title
- NHC I,4 The Treatise on the Resurrection
- dialect
- lycopolitan
- source
- OCR (300 dpi, psm 6 per crop of the Coptic block, model coptic = models/coptic.traineddata v3c) of pp. 188-196 of ~/Transmission/Coptic Gnostic Library/Coptic Gnostic Library vol 1 - Unknown.pdf = *The Coptic Gnostic Library* vol. 1 (Brill 2000); the Coptic text pages tools/cgl_stage.py selected (5 pages in all), each re-read by tools/cgl_reread.py — the block cropped on the PDF text layer with the printed line numbers left outside, the editors' square brackets taken out of the image and put back as [ ] — and filed in place of the B18 psm-3 read because the collation with Marcion improved (2.88 % -> 0.5 % disagreement; corpus/incoming/coptic-gnostic-library/_logs/reread.tsv)
- licence
- public domain — the ancient Coptic text of the Nag Hammadi codices (4th century), which no modern edition can bring back into copyright. The EDITION IS IN COPYRIGHT: *The Coptic Gnostic Library*, general editor J. M. Robinson, Brill 2000 (paperback reprint of Nag Hammadi Studies / Nag Hammadi and Manichaean Studies, 1975-1995), © Koninklijke Brill NV — its apparatus, notes, introductions and English translation are NOT reproduced in this repository and stay internal. RULED by Yousef 2026-09-12: "the ancient Coptic text is PD; the edition's apparatus, translation and notes are not" (outputs/TERMS_NOTES.md §B; LICENCES.md §12.7)
- share
- public
- attribution
- Coptic text of The Treatise on the Resurrection as printed in *The Coptic Gnostic Library*, gen. ed. James M. Robinson, vol. 1 (Leiden: Brill, 2000; reprint of the Nag Hammadi Studies edition), read by OCR. The ancient Coptic text is public domain; the edition's apparatus, notes and English translation are Brill's and are not reproduced. OCR text by the Kemetic project, Yousef Hanna 2026.
- OCR
- mean word confidence 71.0 over 5 pages (hOCR x_wconf per crop, tools/cgl_reread.py); NOT a CER — the measured figure for this model is A2's kept-out 4.52 %; against Marcion 0.5 % disagreement (the B18 psm-3 read it replaced: 2.88 %)
- file
- Apocrypha & Gnostic/Nag Hammadi/Codex I/The Treatise on the Resurrection.lycopolitan.cgl.L0.txt
L0 witness (OCR)
Cite as:
NHC I,4 The Treatise on the Resurrection. OCR (300 dpi, psm 6 per crop of the Coptic block, model coptic = models/coptic.traineddata v3c) of pp. 188-196 of ~/Transmission/Coptic Gnostic Library/Coptic Gnostic Library vol 1 - Unknown.pdf = *The Coptic Gnostic Library* vol. 1 (Brill 2000); the Coptic text pages tools/cgl_stage.py selected (5 pages in all), each re-read by tools/cgl_reread.py — the block cropped on the PDF text layer with the printed line numbers left outside, the editors' square brackets taken out of the image and put back as [ ] — and filed in place of the B18 psm-3 read because the collation with Marcion improved (2.88 % -> 0.5 % disagreement; corpus/incoming/coptic-gnostic-library/_logs/reread.tsv). Layers as published by the Kemetic project (Yousef Hanna), 2026: Coptic · Cairene · Kemetic, /doc/apocrypha-and-gnostic/nag-hammadi/codex-i/the-treatise-on-the-resurrection.lycopolitan.cgl/. Coptic text of The Treatise on the Resurrection as printed in *The Coptic Gnostic Library*, gen. ed. James M. Robinson, vol. 1 (Leiden: Brill, 2000; reprint of the Nag Hammadi Studies edition), read by OCR. The ancient Coptic text is public domain; the edition's apparatus, notes and English translation are Brill's and are not reproduced. OCR text by the Kemetic project, Yousef Hanna 2026.
What the layers are
The text as its witness or edition has it, original spelling; its dialect is a description and is never standardized.
For Egyptian texts: the transliteration with the editors' marks turned into the symbols ° * < > _ ^ (ruled 2026-09-10). For papyri: the edition's Leiden marks as the same symbols, and the editors' readings beside the scribe's as ‹scribe→editors› (ruled PAP-3).
Standardized Greco-Bohairic spelling and grammar, generated by code from the layer above under the rulings of the project.
The Kemetic alphabet, generated by code from L1.
Quoted translations where they exist, credited; otherwise model drafts, marked as drafts.