DDbDP p.gascou.24 — P.Gascou 24

Documentary · DDbDP · sahidic · L0 witness · L0.5 transliteration · English

Source and licence

share: attributionsahidic

Source: DDbDP p.gascou.24 (TM 82118), EpiDoc TEI from corpus/incoming/ddbdp-papyri-info/extracted/idp.data-master/DDbDP/82/82118.xml (github.com/papyri/idp.data, branch master, staged 2026-09-10 by worker W-B2); edition: P.Gascou 24

Attribution: © Duke Databank of Documentary Papyri / Digital Corpus of Literary Papyri (papyri.info, IDP data), licensed CC BY 3.0 (http://creativecommons.org/licenses/by/3.0/), "with copyright and attribution to the respective projects"; the edition credited in this document's own `# edition:` line is the project to credit. Changes: the Coptic edition div extracted from the EpiDoc TEI to plain text, by the Kemetic project, Yousef Hanna 2026.

Licence: CC-BY 3.0 — Duke Databank of Documentary Papyri / Digital Corpus of Literary Papyri, via the papyri.info IDP data repository (github.com/papyri/idp.data), tarball of branch master fetched 2026-09-10, sha256 b4bbfdc3…10fcaf. The repository README says verbatim "This data is made available under a Creative Commons Attribution 3.0 License, with copyright and attribution to the respective projects", and every file's TEI header repeats it. Attribution only — NO ShareAlike

Full provenance and citation

The text

38 lines · a line number is a link to itself

English: quoted translations are shown as they are, with their credit in the provenance; lines marked draft are language-model drafts made for this project (to be corrected), and alignment unchecked marks a quoted verse whose placement was not cross-checked. Check the Coptic before relying on any English line.

Editors' readings (papyri, ruled PAP-3): in ‹ ›, the plain form is what the scribe wrote; after → the editors' regularised form, after ⇒ their correction, | between two forms they give — set off in colour. Hover a form to see whose it is.

refL0 witnessL0.5 transliterationEnglish
1rr
1ϩⲛ̣ ⲡ̣ⲣ̣ⲁⲛ ⲛⲡⲛⲟⲩⲧⲉ ⲁⲛⲟⲕ ⲡⲉ ⲓⲉⲍⲓⲇ ⲉⲓⲥϩⲁⲓ ⲉⲓϣⲓⲛⲉ ⲉⲡⲁⲙⲉⲣⲓⲧ ⲛⲥⲱⲛ ⲁⲃⲟⲩ ⲁⲗⲓ ⲙⲛ ⲡⲟⲩϫⲁⲓ ⲛⲡⲉⲕⲏⲓ ⲧⲏⲣⲏϥϩⲛ ⲡⲣⲁⲛ ⲛⲡⲛⲟⲩⲧⲉ ⲁⲛⲟⲕ ⲡⲉ ⲓⲉⲍⲓⲇ ⲉⲓⲥϩⲁⲓ ⲉⲓϣⲓⲛⲉ ⲉⲡⲁⲙⲉⲣⲓⲧ ⲛⲥⲱⲛ ⲁⲃⲟⲩ ⲁⲗⲓ ⲙⲛ ⲡⲟⲩϫⲁⲓ ⲛⲡⲉⲕⲏⲓ ⲧⲏⲣⲏϥdraft · mediumIn the name of God. It is I, Iezid, writing and greeting my beloved brother Abou Ali, and the health of your whole house
2ⲛⲉⲕⲣⲱⲙⲉ ⲧⲏⲣⲟⲩ ϣⲓⲛⲉ ⲉⲣⲟⲕ ⲕⲁⲗⲟⲥ ⲧⲓⲧⲁⲙⲟ ⲛⲧⲉⲕⲙⲏⲧⲥⲱⲛ ϫⲁⲡⲛⲟⲩⲧⲉ ϫⲓ ⲙⲟⲉⲓⲧ ⲛⲁⲛ ⲁⲛⲟⲩⲉ ⲉϩⲟⲩⲛⲛⲉⲕⲣⲱⲙⲉ ⲧⲏⲣⲟⲩ ϣⲓⲛⲉ ⲉⲣⲟⲕ ‹ⲕⲁⲗⲟⲥ→καλῶς› ⲧⲓⲧⲁⲙⲟ ⲛⲧⲉⲕⲙⲏⲧⲥⲱⲛ ‹ϫⲁⲡⲛⲟⲩⲧⲉ→ϫⲉ ⲁⲡⲛⲟⲩⲧⲉ› ϫⲓ ⲙⲟⲉⲓⲧ ⲛⲁⲛ ⲁⲛⲟⲩⲉ ⲉϩⲟⲩⲛdraft · mediumand all your people. They greet you well. I inform your brotherliness that God guided us, and we came into
3ⲉⲃⲁⲃⲓⲗⲟⲛ ⲁⲩⲱ ⲛⲡⲏⲛϩⲉ ⲉⲗⲁⲟⲩ ⲉⲙⲓⲧⲧⲉ ⲡⲉⲧⲛⲁⲛⲟⲩϥ̅ ⲁⲩⲱ ⲁⲓϩⲉⲣⲟⲥ ⲛⲡⲟⲩⲉⲓⲣ ϩⲱϥ̅ ⲉⲗⲁⲟⲩ ⲛⲙⲉⲃⲁⲃⲓⲗⲟⲛ ⲁⲩⲱ ⲛⲡⲏⲛϩⲉ ⲉⲗⲁⲟⲩ ‹ⲉⲙⲓⲧⲧⲉ→εἰ μή τι› ⲡⲉⲧⲛⲁⲛⲟⲩϥ̅ ⲁⲩⲱ ‹ⲁⲓϩⲉⲣⲟⲥ→ⲁⲓϩⲉ ⲉⲣⲟⲥ› ⲛⲡⲟⲩⲉⲓⲣ ϩⲱϥ̅ ⲉⲗⲁⲟⲩ ⲛⲙdraft · lowBabylon, and we found nothing but good. And I found that they had done nothing at all with
4ⲁⲣⲓⲁⲙ ϩⲱⲗⲉⲥ ⲗⲉⲡⲟⲛ ⲕⲥⲱⲟⲩⲛ ϫⲏ ⲙⲏ ⲣⲱⲙⲉ ⲛⲧⲁⲥ ⲛϣⲁϥ̅ⲉⲓⲣ ϩⲱϥ̅ ⲛⲁⲥ ⲁⲩⲱ ⲙⲏⲛⲛⲁϣ ⲛⲟⲩⲁⲣⲓⲁⲙ ‹ϩⲱⲗⲉⲥ→ὅλως› ‹ⲗⲉⲡⲟⲛ→λοιπόν› ⲕⲥⲱⲟⲩⲛ ϫⲏ ⲙⲏ ⲣⲱⲙⲉ ⲛⲧⲁⲥ ⲛϣⲁϥ̅ⲉⲓⲣ ϩⲱϥ̅ ⲛⲁⲥ ⲁⲩⲱ ⲙⲏⲛⲛⲁϣ ⲛⲟⲩdraft · lowMariam. So then, you know that she has no one to work for her, and we cannot
5ⲉⲃⲟⲗ ⲛⲏϩⲱϥ̅ ⲧⲏⲣⲟⲩ ⲛⲟⲩϩⲱⲟⲩ ⲛⲟⲩⲱⲧ ⲗⲉⲡⲟⲛ ⲉϣⲱⲡⲉ ⲙⲏⲕⲓ ⲉⲃⲟⲗ ⲓⲏ ⲥϩⲁⲓ ⲛⲟⲩⲣⲱⲙⲉ ϩⲱⲗⲟⲥⲉⲃⲟⲗ ⲛⲏϩⲱϥ̅ ⲧⲏⲣⲟⲩ ⲛⲟⲩϩⲱⲟⲩ ⲛⲟⲩⲱⲧ ‹ⲗⲉⲡⲟⲛ→λοιπόν› ⲉϣⲱⲡⲉ ⲙⲏⲕⲓ ⲉⲃⲟⲗ ⲓⲏ ⲥϩⲁⲓ ⲛⲟⲩⲣⲱⲙⲉ ‹ϩⲱⲗⲟⲥ→ὅλως›draft · low(settle) all her affairs in a single day. So then, if you do not come out, or write to someone at all
6ⲛⲃⲁⲣⲁ̣ⲧϥ ⲉⲡⲉⲥϩⲱϥ̅ ⲧⲏⲛⲛⲟⲩ ⲉⲃⲟⲗ ⲧⲏⲛⲃⲓⲧⲥ ⲛⲧⲏⲛⲛⲟⲉⲓ ⲁⲛ ϫⲏ ⲛⲕⲉ ⲉϩⲣⲁⲓ ⲉϫⲓ ⲟⲩ ⲁⲩⲱ‹ⲛⲃⲁⲣⲁⲧϥ→ⲛϥⲁϩⲉⲣⲁⲧϥ› ⲉⲡⲉⲥϩⲱϥ̅ ⲧⲏⲛⲛⲟⲩ ⲉⲃⲟⲗ ⲧⲏⲛⲃⲓⲧⲥ ⲛⲧⲏⲛⲛⲟⲉⲓ ⲁⲛ ϫⲏ ⲛⲕⲉ ⲉϩⲣⲁⲓ ⲉϫⲓ ⲟⲩ ⲁⲩⲱdraft · guessso that he may attend to her affair, we will set out and take her; we do not know that you will come up to receive anything, and
7ⲱⲛⲧⲏⲥ ⲉ̣ⲡⲇⲓⲕⲉⲱⲛ ⲡⲏ ⲓⲏ ⲣⲏϣⲉ ⲛϩⲱϥ̅ ϩⲏ ⲛⲏⲕϭⲓϫ ⲛⲕⲓ ⲉⲃⲟⲗ ⲛⲕⲁⲣⲁⲧⲕ ⲉⲣⲟⲥ ϣⲁⲛⲧⲏⲛ‹ⲱⲛⲧⲏⲥ→ὄντως› ⲉⲡ‹ⲇⲓⲕⲉⲱⲛ→δίκαιος› ⲡⲏ ⲓⲏ ⲣⲏϣⲉ ⲛϩⲱϥ̅ ϩⲏ ⲛⲏⲕϭⲓϫ ⲛⲕⲓ ⲉⲃⲟⲗ ‹ⲛⲕⲁⲣⲁⲧⲕ→ⲛⲅⲁϩⲉⲣⲁⲧⲕ› ⲉⲣⲟⲥ ϣⲁⲛⲧⲏⲛdraft · guessshe has a right […] the matter is in your hands; come out and stand by her until we
8ⲛⲟⲩ ⲉⲃⲟⲗ ⲛⲡⲏⲥϩⲱϥ̅ ϫⲏⲩⲧⲁⲗⲉⲡⲣⲟⲥ ⲛⲁⲧⲣⲱⲙⲉ ⲧⲏ ⲉⲥϭⲟⲓⲗⲉ ⲉⲡⲛⲟⲩⲧⲉ ⲉⲣⲙⲁⲕ ⲗⲉⲡⲟⲛⲛⲟⲩ ⲉⲃⲟⲗ ⲛⲡⲏⲥϩⲱϥ̅ ‹ϫⲏⲩⲧⲁⲗⲉⲡⲣⲟⲥ→ϫⲉ ⲟⲩ‹ⲧⲁⲗⲁⲓⲡⲱⲣⲟⲥ→ταλαίπωρος›› ⲛⲁⲧⲣⲱⲙⲉ ⲧⲏ ⲉⲥϭⲟⲓⲗⲉ ⲉⲡⲛⲟⲩⲧⲉ ⲉⲣⲙⲁⲕ ‹ⲗⲉⲡⲟⲛ→λοιπόν›draft · lowfinish her affair, for she is wretched and friendless; she is a sojourner with God and with you. So then,
9ⲉϣⲱⲡⲉ ϣⲁⲕⲛⲁϣ ⲛⲡⲏⲣⲟⲩⲱϩ ⲛⲁⲥϩⲁⲓ ϩⲏ ⲛⲏⲕϭⲓϫ ϣⲁⲛⲧⲏⲕⲓ ⲉⲃⲟⲗ ⲉⲡⲓ ⲓⲏ ⲣⲏϣⲉⲉϣⲱⲡⲉ ϣⲁⲕⲛⲁϣ ⲛⲡⲏⲣⲟⲩⲱϩ ⲛⲁⲥϩⲁⲓ ϩⲏ ⲛⲏⲕϭⲓϫ ϣⲁⲛⲧⲏⲕⲓ ⲉⲃⲟⲗ ⲉⲡⲓ ⲓⲏ ⲣⲏϣⲉdraft · guessif you can, do not delay(?) to write with your hands until you come out, since […]
10ⲛⲣⲱⲙⲉ ⲛⲙⲁⲟⲩ ⲥϭⲱϣⲧ ⲉⲡⲉⲕϣⲁϫⲉ ⲡⲁⲣⲏ ⲟⲩⲁ ⲁⲓⲧⲛⲟⲟⲩ ⲛⲁⲥ ϫⲏ ϣⲱⲡⲉ ⲧⲏⲭⲣⲓⲉⲓⲛⲣⲱⲙⲉ ⲛⲙⲁⲟⲩ ⲥϭⲱϣⲧ ⲉⲡⲉⲕϣⲁϫⲉ ‹ⲡⲁⲣⲏ→παρά› ⲟⲩⲁ ⲁⲓⲧⲛⲟⲟⲩ ⲛⲁⲥ ϫⲏ ϣⲱⲡⲉ ⲧⲏ‹ⲭⲣⲓⲉⲓ→χρεία›draft · lowthe people there; she looks to your word beyond anyone. I sent to her: 'Stay; whatever need
11ⲛⲓⲧⲏⲥ ϩⲱⲗⲟⲥ ⲧⲁⲧⲱϩⲣⲉϥ̅ ⲛⲉ ⲛⲡⲏϣϣⲓⲣⲉ ϫⲏ ϣⲁⲛⲧⲏⲁⲃⲟⲩ ⲁⲗⲓ ⲉⲓ ⲉⲃⲟⲗ ⲛⲧⲟϥ̅ ⲡⲁⲓⲱⲧⲛ‹ⲓⲧⲏⲥ→εἶδος› ‹ϩⲱⲗⲟⲥ→ὅλως› ⲧⲁⲧⲱϩⲣⲉϥ̅ ⲛⲉ ⲛⲡⲏϣϣⲓⲣⲉ ϫⲏ ϣⲁⲛⲧⲏⲁⲃⲟⲩ ⲁⲗⲓ ⲉⲓ ⲉⲃⲟⲗ ⲛⲧⲟϥ̅ ⲡⲁⲓⲱⲧdraft · guessshe has at all, let me attend to it for her […] until Abou Ali comes out; he is my father,
12ⲁⲩⲱ ⲛⲧⲟϥ̅ ⲡⲏⲧⲧⲱϣ ⲗⲉⲡⲟⲛ ⲛⲡⲏⲣⲥⲓⲇ ⲡⲉⲥϩⲱϥ̅ ϩⲓ ⲡⲁϩⲟⲩ ⲛⲙⲟⲕ ⲉⲡⲓ ⲛⲉⲥⲇⲓⲕⲉⲱⲛ ϩⲓϫⲱⲕⲁⲩⲱ ⲛⲧⲟϥ̅ ⲡⲏⲧⲧⲱϣ ‹ⲗⲉⲡⲟⲛ→λοιπόν› ‹ⲛⲡⲏⲣⲥⲓⲇ→ⲛⲡⲏⲣⲥⲓⲧ› ⲡⲉⲥϩⲱϥ̅ ϩⲓ ⲡⲁϩⲟⲩ ⲛⲙⲟⲕ ‹ⲉⲡⲓ→ἐπεί› ⲛⲉⲥ‹ⲇⲓⲕⲉⲱⲛ→δίκαιον› ϩⲓϫⲱⲕdraft · lowand he is the one who decides.' So then, do not put her affair behind you, since her rights rest upon you
13ⲛⲑⲉ ⲛⲧⲉⲕϣⲉⲣⲉ ⲱⲛ ⲫⲱϥ̅ ⲡⲉ ϫⲏ ⲛⲧⲟⲕ ⲁⲛ ⲡⲉⲛⲧⲁⲕⲙⲁⲥ ⲙⲱⲛ ⲁⲥⲓⲣ ⲑⲉ ⲛⲧⲉⲕϣⲉⲣⲉⲛⲑⲉ ⲛⲧⲉⲕϣⲉⲣⲉ ‹ⲱⲛ→ⲟⲛ› ⲫⲱϥ̅ ⲡⲉ ϫⲏ ⲛⲧⲟⲕ ⲁⲛ ‹ⲡⲉⲛⲧⲁⲕⲙⲁⲥ→ⲡⲉⲛⲧⲁⲕⲙⲁⲥⲥ› ‹ⲙⲱⲛ→ⲙⲙⲟⲛ› ⲁⲥⲓⲣ ⲑⲉ ⲛⲧⲉⲕϣⲉⲣⲉdraft · lowlike your daughter; she is yours too. For is it not you who begot her? Has she not become like your daughter,
14ⲛⲧⲁⲥⲓ ⲉϩⲣⲁⲓ ϩⲏ ⲡⲏⲕⲏⲓ ⲁⲩⲱ ⲕⲥⲱⲟⲩⲛ ϫⲏ ⲙⲏⲣ ⲡⲏⲥⲥⲟⲛ ⲥⲱⲕϥ̅ ⲉⲣⲟⲛ ϩⲱⲗⲟⲥ ⲗⲉⲡⲟⲛ ⲛⲡⲏⲣⲛⲧⲁⲥⲓ ⲉϩⲣⲁⲓ ϩⲏ ⲡⲏⲕⲏⲓ ⲁⲩⲱ ⲕⲥⲱⲟⲩⲛ ϫⲏ ⲙⲏⲣ ⲡⲏⲥⲥⲟⲛ ⲥⲱⲕϥ̅ ⲉⲣⲟⲛ ‹ϩⲱⲗⲟⲥ→ὅλως› ‹ⲗⲉⲡⲟⲛ→λοιπόν› ⲛⲡⲏⲣdraft · lowsince she grew up in your house? And you know that her brother did not come near us at all. So then, do not
15ⲕⲁⲧⲏⲭⲉ ⲛⲙⲟⲛ ⲛⲧⲏⲛⲥⲱⲟⲩⲛ ⲁⲛ ⲛⲡⲏⲛϣⲁϥ̅ϣⲱⲡⲉ ⲁⲩⲱ ⲉⲛϣⲁⲛⲃⲓⲧⲥ ⲛⲧⲏϩⲱϥ̅ ϣⲱⲡⲉ‹ⲕⲁⲧⲏⲭⲉ→κατέχειν› ⲛⲙⲟⲛ ⲛⲧⲏⲛⲥⲱⲟⲩⲛ ⲁⲛ ⲛⲡⲏⲛϣⲁϥ̅ϣⲱⲡⲉ ⲁⲩⲱ ⲉⲛϣⲁⲛⲃⲓⲧⲥ ⲛⲧⲏϩⲱϥ̅ ϣⲱⲡⲉdraft · lowdetain us; we do not know what will happen. And if we take her and the matter goes (well),
16ⲡⲙ̣ⲁ ⲛϣⲁⲛⲕⲉ ⲉⲣⲟϥ̅ ϣⲁⲓⲃⲓⲧⲥ ⲉⲣⲙⲁⲓ ⲁⲩⲱ ⲡⲉϩⲱⲟⲩ ⲛⲧⲁⲓⲥϩⲁⲓ ⲛⲁⲓⲥϩⲁⲓ ⲛⲁⲕ ϩⲓⲱϥ̅ ⲁⲓⲡⲙⲁ ⲛϣⲁⲛⲕⲉ ⲉⲣⲟϥ̅ ϣⲁⲓⲃⲓⲧⲥ ⲉⲣⲙⲁⲓ ⲁⲩⲱ ⲡⲉϩⲱⲟⲩ ⲛⲧⲁⲓⲥϩⲁⲓ ⲛⲁⲓⲥϩⲁⲓ ⲛⲁⲕ ϩⲓⲱϥ̅ ⲁⲓdraft · lowwherever you go, I will take her with me. And the day I wrote these letters to you, I
17ⲁϩⲓⲉ ⲡϣⲉ ⲛⲁⲗⲓ ⲕⲱ ⲧⲏⲕⲁⲡⲟⲩⲑⲏⲕⲉ ⲉⲃⲟⲗ ⲗⲉⲡⲟⲛ ⲉϣⲱⲡⲉ ⲉⲛⲥⲧⲟⲭⲓⲛ ⲛⲧⲁⲕ ϩⲓϫⲱⲁϩⲓⲉ ⲡϣⲉ ⲛⲁⲗⲓ ⲕⲱ ⲧⲏⲕ‹ⲁⲡⲟⲩⲑⲏⲕⲉ→ἀποθήκη› ⲉⲃⲟⲗ ‹ⲗⲉⲡⲟⲛ→λοιπόν› ⲉϣⲱⲡⲉ ⲉⲛ‹ⲥⲧⲟⲭⲓⲛ→στοιχεῖν|στοιχεῖον|στίχος› ⲛⲧⲁⲕ ϩⲓϫⲱdraft · guess(sent?) Ahie (Yahya?) son of Ali: open up your storehouse. So then, if you agree, […] upon me
18ϥ ⲓⲏ ⲛⲧⲟⲕ ⲡⲏⲛⲛⲟⲉⲓ ⲉⲣⲙⲁϥ̅ ⲁⲩⲱ ⲁⲙⲟⲩⲥⲁⲗⲁⲙⲉ ϫⲛⲟⲩⲓ ϫⲁⲛⲣⲱⲙⲉ ϫⲛⲟⲩⲥ ϫⲏ ⲙⲁⲣⲏⲁⲃⲟⲩϥ ⲓⲏ ⲛⲧⲟⲕ ⲡⲏⲛⲛⲟⲉⲓ ⲉⲣⲙⲁϥ̅ ⲁⲩⲱ ⲁⲙⲟⲩⲥⲁⲗⲁⲙⲉ ϫⲛⲟⲩⲓ ‹ϫⲁⲛⲣⲱⲙⲉ→ϫⲉ ⲁⲛⲣⲱⲙⲉ› ϫⲛⲟⲩⲥ ϫⲏ ⲙⲁⲣⲏⲁⲃⲟⲩdraft · guessor you, who know(?) with him. And Amousalame(?) asked me that a man asked her: 'Let Abou
19ⲁⲗⲓ ⲉⲓ ⲛⲁⲓ ⲧⲁⲃⲱⲧ ⲧⲁⲡⲟⲩⲑⲏⲕⲉ ⲉⲃⲟⲗ ϩⲓϫⲱϥ̅ ⲗⲉⲡⲟⲛ ⟨ⲛ⟩ⲧⲟⲕ ⲁⲙⲟⲩ ⲉϩⲏⲧ ⲁⲣⲏⲩ ϣⲁⲣⲏ ⲡⲛⲟⲩ⸢ⲧⲉ⸣ⲁⲗⲓ ⲉⲓ ⲛⲁⲓ ⲧⲁⲃⲱⲧ ⲧ‹ⲁⲡⲟⲩⲑⲏⲕⲉ→ἀποθήκη› ⲉⲃⲟⲗ ϩⲓϫⲱϥ̅ ‹ⲗⲉⲡⲟⲛ→λοιπόν› <ⲛ>ⲧⲟⲕ ⲁⲙⲟⲩ ⲉϩⲏⲧ ⲁⲣⲏⲩ ϣⲁⲣⲏ ⲡⲛⲟⲩⲧⲉdraft · lowAli come to me, that I may open the storehouse for him.' So then, you, come north; perhaps God will
20ⲡⲓⲑⲉ ⲛⲕⲛⲁϣ ⲛⲃⲱⲧⲥ ⲉⲃⲟⲗ ⲛⲥⲱⲕ ⲉⲡⲓ ⲟⲩϩⲱⲗⲉ ⲉⲥⲛⲁϣⲧ ⲡⲏ ⲧⲁⲓ ⲉⲕⲥⲱⲕ ϩⲁⲣⲱⲥ‹ⲡⲓⲑⲉ→πείθειν› ⲛⲕⲛⲁϣ ⲛⲃⲱⲧⲥ ⲉⲃⲟⲗ ⲛⲥⲱⲕ ‹ⲉⲡⲓ→ἐπεί› ⲟⲩ‹ϩⲱⲗⲉ→ὕλη› ⲉⲥⲛⲁϣⲧ ⲡⲏ ⲧⲁⲓ ⲉⲕⲥⲱⲕ ϩⲁⲣⲱⲥdraft · guesspersuade (him), and you will be able to bring her out with you, since it is a hard […] this, you drawing on her account(?)
21ⲛⲧⲁⲓϩⲉ ⲁⲩⲱ ⲛⲡⲏϣⲓⲛⲉ ϣⲱⲡⲉ ϩⲱⲗⲟⲥ ⲛⲡⲏⲥϩⲁⲓ ⲉⲓ ϣⲁ ⲧⲏⲛⲟⲩ ϩⲏ ⲧⲏⲭⲟⲣⲉ ⲗⲉⲡⲟⲛⲛⲧⲁⲓϩⲉ ⲁⲩⲱ ⲛⲡⲏϣⲓⲛⲉ ϣⲱⲡⲉ ‹ϩⲱⲗⲟⲥ→ὅλως› ⲛⲡⲏⲥϩⲁⲓ ⲉⲓ ϣⲁ ⲧⲏⲛⲟⲩ ϩⲏ ⲧⲏ‹ⲭⲟⲣⲉ→χώρα› ‹ⲗⲉⲡⲟⲛ→λοιπόν›draft · lowin this way. And no inquiry has taken place at all; no letter has come until now in the countryside. So then,
22ⲧⲁⲭⲏ ⲛⲙⲟⲕ ⲁⲙⲟⲩ ⲁⲣⲏⲩ ϣⲁⲛⲛⲟⲩ ⲉⲃⲟⲗ ⲛⲫⲱϥ̅ ⲛⲧⲁⲓⲕⲟⲩⲓ ⲛϣⲉⲣⲉ ⲛⲧⲉⲛⲛⲟⲩⲉⲓ ⲁⲛ ϫⲏ‹ⲧⲁⲭⲏ→τάχυ› ⲛⲙⲟⲕ ⲁⲙⲟⲩ ⲁⲣⲏⲩ ϣⲁⲛⲛⲟⲩ ⲉⲃⲟⲗ ⲛⲫⲱϥ̅ ⲛⲧⲁⲓⲕⲟⲩⲓ ⲛϣⲉⲣⲉ ⲛⲧⲉⲛ‹ⲛⲟⲩⲉⲓ→νοεῖν› ⲁⲛ ϫⲏdraft · mediumhurry, come; perhaps we may finish the affair of this little girl; we do not know
23ⲟⲩ ⲡⲉⲛϣⲁϥϣⲱⲡⲉ ⲁⲩⲱ ⲛⲡⲁⲧⲏⲛⲧⲓ ⲛ⸢ⲏⲣⲏϥ̣⸣⟦ⲏⲣⲏⲡ̣ (?)⟧ ⲉⲃⲟⲗ ϣⲁ ⲧⲏⲛⲟⲩ ⲁⲗⲗⲁ ⲁⲛⲧⲓ ⲛⲁ ⲛⲏⲟⲩ ⲡⲉⲛϣⲁϥϣⲱⲡⲉ ⲁⲩⲱ ⲛⲡⲁⲧⲏⲛⲧⲓ ⲛⲏⲣⲏϥ ⲉⲃⲟⲗ ϣⲁ ⲧⲏⲛⲟⲩ ‹ⲁⲗⲗⲁ→ἀλλά› ⲁⲛⲧⲓ ⲛⲁ ⲛⲏdraft · lowwhat will happen. And we have not yet given out her wine until now; but we gave to the
25vv
24ⲣⲱⲙⲉ ⲛⲁⲟⲩ ⲛⲑⲉ ⲛⲧⲁⲕⲥϩⲁⲓⲥⲟⲩ ⲛⲁⲓ ⲗⲉⲡⲟⲛ ⲛⲡⲏⲣⲕⲁⲧⲏⲭⲉ ⲛⲙⲱⲛ ⲧⲁⲭⲏ ⲁⲙⲟⲩⲣⲱⲙⲉ ⲛⲁⲟⲩ ⲛⲑⲉ ⲛⲧⲁⲕⲥϩⲁⲓⲥⲟⲩ ⲛⲁⲓ ‹ⲗⲉⲡⲟⲛ→λοιπόν› ⲛⲡⲏⲣ‹ⲕⲁⲧⲏⲭⲉ→κατέχειν› ⲛⲙⲱⲛ ‹ⲧⲁⲭⲏ→τάχυ› ⲁⲙⲟⲩdraft · mediummen, as you wrote them to me. So then, do not detain us; quickly come
25ⲙⲱⲛ ⲙⲏ ⲗⲁⲟⲩ ⲕⲱⲗⲉ ⲛⲙⲱⲛ ⲛⲥⲁ ⲛⲧⲟⲕ ϩⲓⲧⲛ ⲛⲁⲓⲥϩⲁⲓ ⲧⲓϣⲓⲛⲉ ⲉⲣⲟⲕ ⲟⲩϫⲁⲓ ϩⲛ ⲡϫⲟⲉⲓⲥ ⲁⲩ⸢ⲱ⸣ ⲓⲉ‹ⲙⲱⲛ→ⲙⲙⲟⲛ› ⲙⲏ ⲗⲁⲟⲩ ‹ⲕⲱⲗⲉ→κωλύειν› ⲛⲙⲱⲛ ⲛⲥⲁ ⲛⲧⲟⲕ ϩⲓⲧⲛ ⲛⲁⲓⲥϩⲁⲓ ⲧⲓϣⲓⲛⲉ ⲉⲣⲟⲕ ⲟⲩϫⲁⲓ ϩⲛ ⲡϫⲟⲉⲓⲥ ⲁⲩⲱ ⲓⲉdraft · mediumto us; nothing hinders us except you. Through these letters I greet you. Farewell in the Lord. And
26ⲙⲏⲥⲁⲧⲣⲏⲓⲥϩⲁⲓ ⲛⲁⲓⲥϩⲁⲓ ⲛⲁⲕ ⲛⲡⲓϩⲉ ⲣⲱⲙⲉ ⲛⲃⲓⲛⲧⲟⲩ ⲛⲁⲕ ⲁⲡⲛⲟⲩⲧⲉ ⲡⲓⲑⲉ ⲁⲓⲧⲓ ⲛⲏⲣⲏⲡ ⲉⲃⲟⲗ ⲡⲣⲟⲥ ⲛⲟ(ⲙⲓⲥⲙⲁ) ⲃ 𐅸ⲙⲏⲥⲁⲧⲣⲏⲓⲥϩⲁⲓ ⲛⲁⲓⲥϩⲁⲓ ⲛⲁⲕ ⲛⲡⲓϩⲉ ⲣⲱⲙⲉ ⲛⲃⲓⲛⲧⲟⲩ ⲛⲁⲕ ⲁⲡⲛⲟⲩⲧⲉ ‹ⲡⲓⲑⲉ→πείθειν› ⲁⲓⲧⲓ ⲛⲏⲣⲏⲡ ⲉⲃⲟⲗ ‹ⲡⲣⲟⲥ→πρός› ⲛⲟ°ⲙⲓⲥⲙⲁ° ⲃ 𐅸draft · lowafter I wrote these letters to you, I found no one to bring them to you. God willing, I sold the wine at 2 3/4 nomismata
27ⲉⲡϣⲉ ⲉⲧⲏ ⲙⲏ ⲟⲩⲁ ϣⲓⲛⲉ ⲛⲥⲁ ⲉⲓⲧⲏⲥ ϩⲱⲗⲏⲥ ⲁⲩⲱ ⲱⲛⲧⲏⲥ ⲧⲓⲉⲣ ϣⲡⲏⲣⲉ ⲛⲙⲱⲕ ⲛⲧⲁⲓϩⲉ ϩⲙⲉ ⲏⲣⲏⲡⲉⲡϣⲉ ⲉⲧⲏ ⲙⲏ ⲟⲩⲁ ϣⲓⲛⲉ ⲛⲥⲁ ‹ⲉⲓⲧⲏⲥ→εἶδος› ‹ϩⲱⲗⲏⲥ→ὅλως› ⲁⲩⲱ ‹ⲱⲛⲧⲏⲥ→ὄντως› ⲧⲓⲉⲣ ϣⲡⲏⲣⲉ ⲛⲙⲱⲕ ⲛⲧⲁⲓϩⲉ ϩⲙⲉ ⲏⲣⲏⲡdraft · lowper hundred, there being no one who asked for it at all. And I am again amazed at you: I found forty (jars of) wine
28ⲉⲣⲏⲟⲩⲧⲱⲃⲉϥ̅ ⲉⲧϣⲱⲓ ϩⲏ ⲛⲁⲓⲏⲣⲏⲡ ⲛⲧⲁⲃⲓⲣ ϩⲏⲙⲏϫ ⲁⲓϩⲓⲉⲓⲉⲣ ⲡⲛⲉϥ̅ ϫⲏ ⲛⲡⲱⲓ ⲁⲛ ⲡⲉ ⲡⲁⲓⲏⲣⲏⲡ ⲡⲁⲓⲉⲣⲏⲟⲩⲧⲱⲃⲉϥ̅ ⲉⲧϣⲱⲓ ϩⲏ ⲛⲁⲓⲏⲣⲏⲡ ⲛⲧⲁⲃⲓⲣ ϩⲏⲙⲏϫ ⲁⲓϩⲓⲉⲓⲉⲣ ⲡⲛⲉϥ̅ ϫⲏ ⲛⲡⲱⲓ ⲁⲛ ⲡⲉ ⲡⲁⲓⲏⲣⲏⲡ ⲡⲁⲓdraft · guesswith a seal on them, which are mine, among these wines that had turned to vinegar; I […] them; for this wine is not mine; this
29ⲁⲓⲟⲩⲛⲏⲥ ϫⲟⲥ ϫⲉ ϩⲉ ⲡⲱⲛ ⲡⲉ ⲁⲗⲗⲁ ⲡⲁ ϣⲉⲛⲟⲩⲧⲉ ⲡⲉ ⲗⲉⲡⲟⲛ ⲛⲡⲟⲩⲃⲓⲧⲟⲩ ⲁⲓⲧⲁⲗⲟⲟⲩ ⲉⲡⲉⲕⲏⲓ ⲧⲏⲣⲟⲩⲁⲓⲟⲩⲛⲏⲥ ϫⲟⲥ ϫⲉ ϩⲉ ⲡⲱⲛ ⲡⲉ ‹ⲁⲗⲗⲁ→ἀλλά› ⲡⲁ ϣⲉⲛⲟⲩⲧⲉ ⲡⲉ ‹ⲗⲉⲡⲟⲛ→λοιπόν› ⲛⲡⲟⲩⲃⲓⲧⲟⲩ ⲁⲓⲧⲁⲗⲟⲟⲩ ⲉⲡⲉⲕⲏⲓ ⲧⲏⲣⲟⲩdraft · lowIounes says: 'Yes, it is ours', but it is Shenoute's. So then, they have not taken them; I loaded them all up to your house.
30ⲁⲩⲱ ⲛⲁⲓ ⲛⲉ ⲛⲏϣⲕⲱ ⲉⲃⲟⲗ ⲛⲏⲣⲏⲡ ⲡⲛⲟⲩϩ ⲛⲧⲡⲟⲗⲏⲥ ⲇⲓⲡ(ⲗⲟⲩⲛ) ⲁ ⲧⲁⲗⲕⲁⲛⲧⲣⲉ ⲛⲗⲓϩⲱⲛⲉ ⲇⲓⲡ(ⲗⲟⲩⲛ) ⲁ ⲡⲧⲉⲗⲉⲥ ⲇⲓⲡ(ⲗⲟⲩⲛ) ⲁⲁⲩⲱ ⲛⲁⲓ ⲛⲉ ‹ⲛⲏϣⲕⲱ→ⲛⲉϫⲕⲟ› ⲉⲃⲟⲗ ⲛⲏⲣⲏⲡ ⲡⲛⲟⲩϩ ⲛⲧ‹ⲡⲟⲗⲏⲥ→πόλις› ‹ⲇⲓⲡ°ⲗⲟⲩⲛ°→διπλοῦν› ⲁ ⲧⲁⲗⲕⲁⲛⲧⲣⲉ ⲛⲗⲓϩⲱⲛⲉ ‹ⲇⲓⲡ°ⲗⲟⲩⲛ°→διπλοῦν› ⲁ ⲡ‹ⲧⲉⲗⲉⲥ→τέλος› ‹ⲇⲓⲡ°ⲗⲟⲩⲛ°→διπλοῦν› ⲁdraft · lowAnd these are the outgoings for the wine: the rope of the city, 1 diploun; the bridge (al-qantara) of Lihone(?), 1 diploun; the toll, 1 diploun;
31ⲡϩⲱⲣⲙⲏⲥ ⲛⲡⲁⲃⲓⲗⲟⲛ ⲇⲓⲡ(ⲗⲁ) ⲃ ⲓⲟⲩⲛⲏⲥ ⲇⲓⲡ(ⲗⲟⲩⲛ) ⲁ ⲁⲩⲱ ⲁⲓⲟⲩⲛⲏⲥ ϫⲛⲟⲩⲓ ⲱⲛ ϫⲁⲭⲁⲗⲉⲧ ⲃⲓ ⲇⲓⲡ(ⲗⲁ) ⲇ ⲁⲩⲱ ⲁϥⲧⲓ ⲛⲟⲩⲙⲟⲩⲭⲟⲥ ⲇⲓⲡ(ⲗⲟⲩⲛ) ⲁⲡ‹ϩⲱⲣⲙⲏⲥ→ὅρμος› ⲛⲡⲁⲃⲓⲗⲟⲛ ‹ⲇⲓⲡ°ⲗⲁ°→διπλᾶ› ⲃ ⲓⲟⲩⲛⲏⲥ ‹ⲇⲓⲡ°ⲗⲟⲩⲛ°→διπλοῦν› ⲁ ⲁⲩⲱ ⲁⲓⲟⲩⲛⲏⲥ ϫⲛⲟⲩⲓ ⲱⲛ ‹ϫⲁⲭⲁⲗⲉⲧ→ϫⲉ ⲁⲭⲁⲗⲉⲧ› ⲃⲓ ‹ⲇⲓⲡ°ⲗⲁ°→διπλᾶ› ⲇ ⲁⲩⲱ ⲁϥⲧⲓ ⲛⲟⲩⲙⲟⲩⲭⲟⲥ ‹ⲇⲓⲡ°ⲗⲟⲩⲛ°→διπλοῦν› ⲁdraft · lowthe harbour of Babylon, 2 dipla; Iounes, 1 diploun; and Iounes asked me again: Khalet took 4 dipla; and he gave a moukhos(?), 1 diploun;
32ⲁⲡⲟⲩⲥⲧⲟⲩⲗⲓ ⲉⲓ ϩⲏ ⲡϫⲟⲓ ⲇⲓⲡ(ⲗⲁ) ⲃ ⲕⲁⲧⲏⲥⲧⲏ ⲡϫⲟⲓ ⲇⲓⲡ(ⲗⲁ) ⲑ ⲁⲡⲟⲩⲥⲧⲟⲩⲗⲓ ⲉⲓ ⲉⲡⲉⲥⲏⲓ ⲇⲓⲡ(ⲗⲁ) ⲧⲗ ⲗⲟⲑⲉ ⲇⲓⲡ(ⲗⲁ) ⲣ ⲡⲉⲛⲧⲁⲛⲧⲁϥ ⲉⲃⲟⲗ ⲇⲓⲡ(ⲗⲁ) ⲧⲁⲡⲟⲩⲥⲧⲟⲩⲗⲓ ⲉⲓ ϩⲏ ⲡϫⲟⲓ ‹ⲇⲓⲡ°ⲗⲁ°→διπλᾶ› ⲃ ‹ⲕⲁⲧⲏⲥⲧⲏ→καθίσταναι› ⲡϫⲟⲓ ‹ⲇⲓⲡ°ⲗⲁ°→διπλᾶ› ⲑ ⲁⲡⲟⲩⲥⲧⲟⲩⲗⲓ ⲉⲓ ⲉⲡⲉⲥⲏⲓ ‹ⲇⲓⲡ°ⲗⲁ°→διπλᾶ› ⲧⲗ ⲗⲟⲑⲉ ‹ⲇⲓⲡ°ⲗⲁ°→διπλᾶ› ⲣ ⲡⲉⲛⲧⲁⲛⲧⲁϥ ⲉⲃⲟⲗ ‹ⲇⲓⲡ°ⲗⲁ°→διπλᾶ› ⲧdraft · guessloading(?) into the boat, 2 dipla; setting down(?) of the boat, 9 dipla; loading(?) to her house, 330 dipla; […], 100 dipla; what we gave out, 300 dipla;
33ⲡⲏⲕⲏⲓ ⲏⲣ̣ⲏ̣ⲡ̣ ϩⲓ ϩⲏⲙⲏϫ ⲇⲓⲡ(ⲗⲁ) ⲣⲙⲁ ⲁⲩⲱ ⲁⲓϩⲉ ⲛⲉⲛⲉϥ ⲛⲧⲁⲩⲃⲓ ⲙⲏⲧ ⲛⲥⲕⲉⲉⲓ ϩⲱⲟⲩ ⲇⲓⲡ(ⲗⲁ)ⲓ ⲧⲁⲓ ⲧⲉ ⲧⲡⲟⲥⲟⲛ ⲧⲏⲣⲏⲥ ⲛⲡⲏⲕⲏⲓ ⲏⲣⲏⲡ ϩⲓ ϩⲏⲙⲏϫ ‹ⲇⲓⲡ°ⲗⲁ°→διπλᾶ› ⲣⲙⲁ ⲁⲩⲱ ⲁⲓϩⲉ ⲛⲉⲛⲉϥ ⲛⲧⲁⲩⲃⲓ ⲙⲏⲧ ⲛ‹ⲥⲕⲉⲉⲓ→σκεῦος› ϩⲱⲟⲩ ‹ⲇⲓⲡ°ⲗⲁ°→διπλᾶ›ⲓ ⲧⲁⲓ ⲧⲉ ⲧ‹ⲡⲟⲥⲟⲛ→πόσον› ⲧⲏⲣⲏⲥ ‹ⲛdraft · lowyour house, wine and vinegar, 141 dipla; and I found the sailors, who took ten vessels also, 10 dipla. This is the whole amount of
34ⲧⲁⲓϩⲉⲣⲟⲥ ⲇⲓⲡ(ⲗⲁ) ϡⲅ ⲡⲧⲉⲗⲉⲥ μελ(ιαρήσια) ⲅⲡϩⲱⲣⲙⲟⲥ μελ(ιαρήσιον) ⲁ (καὶ) φόλ(λεις) ⲕ ⲧϩⲏⲙⲉ ⲛⲡϫⲟⲓ νό(μισμα) α 𐅵ⲧⲁⲓϩⲉⲣⲟⲥ→ⲛⲧⲁⲓϩⲉ ⲉⲣⲟⲥ› ‹ⲇⲓⲡ°ⲗⲁ°→διπλᾶ› ϡⲅ ⲡ‹ⲧⲉⲗⲉⲥ→τέλος› ‹μελ°ιαρήσια°→μιλιαρήσια› ⲅⲡ‹ϩⲱⲣⲙⲟⲥ→ὅρμος› ‹μελ°ιαρήσιον°→μιλιαρήσιον› ⲁ °καὶ° φόλ°λεις° ⲕ ⲧϩⲏⲙⲉ ⲛⲡϫⲟⲓ νό°μισμα° α 𐅵draft · mediumwhat I found: 903 dipla. The toll, 3 miliaresia; the harbour, 1 miliaresion and 20 folleis; the freight of the boat, 1 1/2 nomisma.
35ⲧⲁⲁⲥ ⲛⲡⲁⲙⲉⲣⲓⲧ ⲛⲥⲱⲛ ⲁⲃⲟⲩ ⲁⲗⲓ vac. ca. 15 ϩⲓⲧⲛ ⲓⲉⲍⲓⲇ ⲡⲉϥⲥⲱⲛ ⲡⲁⲡⲟⲩⲏ̣ⲧⲁⲁⲥ ⲛⲡⲁⲙⲉⲣⲓⲧ ⲛⲥⲱⲛ ⲁⲃⲟⲩ ⲁⲗⲓ ϩⲓⲧⲛ ⲓⲉⲍⲓⲇ ⲡⲉϥⲥⲱⲛ ⲡⲁⲡⲟⲩⲏdraft · mediumDeliver it to my beloved brother Abou Ali, from Iezid his brother, Papoue(?).
36الى ابو عليالى ابو علي

Provenance

L0 witness

title
DDbDP p.gascou.24 — P.Gascou 24
dialect
sahidic
source
DDbDP p.gascou.24 (TM 82118), EpiDoc TEI from corpus/incoming/ddbdp-papyri-info/extracted/idp.data-master/DDbDP/82/82118.xml (github.com/papyri/idp.data, branch master, staged 2026-09-10 by worker W-B2); edition: P.Gascou 24
licence
CC-BY 3.0 — Duke Databank of Documentary Papyri / Digital Corpus of Literary Papyri, via the papyri.info IDP data repository (github.com/papyri/idp.data), tarball of branch master fetched 2026-09-10, sha256 b4bbfdc3…10fcaf. The repository README says verbatim "This data is made available under a Creative Commons Attribution 3.0 License, with copyright and attribution to the respective projects", and every file's TEI header repeats it. Attribution only — NO ShareAlike
share
attribution
attribution
© Duke Databank of Documentary Papyri / Digital Corpus of Literary Papyri (papyri.info, IDP data), licensed CC BY 3.0 (http://creativecommons.org/licenses/by/3.0/), "with copyright and attribution to the respective projects"; the edition credited in this document's own `# edition:` line is the project to credit. Changes: the Coptic edition div extracted from the EpiDoc TEI to plain text, by the Kemetic project, Yousef Hanna 2026.
file
Documentary/DDbDP/p.gascou.24.papyri-info.L0.txt

L0.5 transliteration

title
DDbDP p.gascou.24 — L0.5 (editorial symbols)
dialect
sahidic
source
DDbDP p.gascou.24 (TM 82118) — generated from p.gascou.24.papyri-info.L0.txt by tools/papyri_l05.py (the edition's Leiden marks as the project symbol scheme, ruling PAP-1 2026-09-26)
licence
CC-BY 3.0 — Duke Databank of Documentary Papyri / Digital Corpus of Literary Papyri, via the papyri.info IDP data repository (github.com/papyri/idp.data), tarball of branch master fetched 2026-09-10, sha256 b4bbfdc3…10fcaf. The repository README says verbatim "This data is made available under a Creative Commons Attribution 3.0 License, with copyright and attribution to the respective projects", and every file's TEI header repeats it. Attribution only — NO ShareAlike
share
attribution
attribution
© Duke Databank of Documentary Papyri / Digital Corpus of Literary Papyri (papyri.info, IDP data), licensed CC BY 3.0 (http://creativecommons.org/licenses/by/3.0/), "with copyright and attribution to the respective projects"; the edition credited in this document's own `# edition:` line is the project to credit. Changes: the Coptic edition div extracted from the EpiDoc TEI to plain text, by the Kemetic project, Yousef Hanna 2026.
generated by
tools/papyri_l05.py to_l05() v2 (PAP-2: reads the printed L0, 2026-09-28; mapping unchanged since v1, PAPYRI-L05 2026-09-26) on the L0 text — ruling PAP-1 (Yousef 2026-09-26); symbols R-6 (RULED 2026-09-10, CLAUDE.md §3.9), lacuna mark O-6 (DECISIONS.md 2026-09-09)
file
Documentary/DDbDP/p.gascou.24.papyri-info.L0.5.txt

English

what it is
DRAFT English. Not a published translation: `existing` rows quote an aligned translation named in `basis`; `llm` rows are a language-model best guess from the dictionary gloss and context (Yousef asked for them, 2026-09-27; to be corrected later); check the source text before relying on any of it.
lines
0 quoted · 0 quoted with the alignment not cross-checked · 35 model drafts (marked “draft”)

Cite as:

DDbDP p.gascou.24 — P.Gascou 24. DDbDP p.gascou.24 (TM 82118), EpiDoc TEI from corpus/incoming/ddbdp-papyri-info/extracted/idp.data-master/DDbDP/82/82118.xml (github.com/papyri/idp.data, branch master, staged 2026-09-10 by worker W-B2); edition: P.Gascou 24. Layers as published by the Kemetic project (Yousef Hanna), 2026: Coptic · Cairene · Kemetic, /doc/documentary/ddbdp/p.gascou.24.papyri-info/. © Duke Databank of Documentary Papyri / Digital Corpus of Literary Papyri (papyri.info, IDP data), licensed CC BY 3.0 (http://creativecommons.org/licenses/by/3.0/), "with copyright and attribution to the respective projects"; the edition credited in this document's own `# edition:` line is the project to credit. Changes: the Coptic edition div extracted from the EpiDoc TEI to plain text, by the Kemetic project, Yousef Hanna 2026.

What the layers are

L0 witness
The text as its witness or edition has it, original spelling; its dialect is a description and is never standardized.
L0.5 transliteration
For Egyptian texts: the transliteration with the editors' marks turned into the symbols ° * < > _ ^ (ruled 2026-09-10). For papyri: the edition's Leiden marks as the same symbols, and the editors' readings beside the scribe's as ‹scribe→editors› (ruled PAP-3).
L1 Cairene
Standardized Greco-Bohairic spelling and grammar, generated by code from the layer above under the rulings of the project.
L2 Kemetic
The Kemetic alphabet, generated by code from L1.
English
Quoted translations where they exist, credited; otherwise model drafts, marked as drafts.