Source and licence
share: publicnoneSource: Cleveland Museum of Art 2012.256, via https://archive.org/details/clevelandart-2012.256-egypt-and-nubia-volu (image https://archive.org/download/clevelandart-2012.256-egypt-and-nubia-volu/2012.256_full.jpg, rendition original) — staged 2026-09-29 by worker IMAGES-1 (corpus/incoming/images-egypt/roberts-egypt-nubia/STAGING.md, _meta/items/)
Attribution: The Cleveland Museum of Art, Bequest of John Bonebrake 2012.256
Licence: public domain — CC0 1.0 (https://creativecommons.org/publicdomain/zero/1.0/; archive.org licenseurl); Louis Haghe (1806–1885); David Roberts (1796–1864): public domain by age; ruling IMG-1 / DL-2 (Yousef 2026-09-29)
The text
5 lines · a line number is a link to itself| ref | L0 witness |
|---|---|
| 1 | Egypt and Nubia, Volume I: The Great Temple of Aboo-Simble, Nubia |
| 2 | Cleveland Museum of Art: 1 — volume 1, seq 43, plate number not stated (the holder's capture sequence is not a checked plate number). |
| 3 | Egypt and Nubia, Volume I: The Great Temple of Aboo-Simble, Nubia, 1846. Louis Haghe (British, 1806–1885), F. G. Moon (British, 1797–1871), after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 43.7 x 60.3 cm (17 3/16 x 23 3/4 in.); image: 32.8 x 48.9 cm (12 15/16 x 19 1/4 in.). The Cleveland Museum of Art, Bequest of John Bonebrake 2012.256 Throughout the 1800s and into the 1900s, prints, paintings, and photographs, like Louis Haghe’s Egypt and Nubia series, brought back by artists who voyaged to Egypt, inspired American and European artists, architects, and designers to emulate ancient Egyptian motifs and styles. Egyptomania blossomed through the 1800s and can be seen in architecture around cities like Washington, DC, and in the interiors of aristocratic homes, as well as in funerary monuments, such as in Lake View Cemetery in Cleveland, Ohio. Looking back at these creations provides an interesting historical groundwork for debating who has the right to interpret Egyptian motifs and styles. |
| 4 | 6,305 × 4,517 px, 8,410,097 bytes, rendition original, at the path in the `# file:` header. |
| 5 | THE PLATE IS NOT IN THIS REPOSITORY. This document is a provenance stub (kind = plate): the image is staged under Coptic OCR/corpus/incoming/images-egypt/, with its SHA-256 in the manifest.tsv beside it; the `_plates` link in this set's folder opens the staged images without a copy. |
Provenance
- title
- Egypt and Nubia, Volume I: The Great Temple of Aboo-Simble, Nubia
- dialect
- none
- source
- Cleveland Museum of Art 2012.256, via https://archive.org/details/clevelandart-2012.256-egypt-and-nubia-volu (image https://archive.org/download/clevelandart-2012.256-egypt-and-nubia-volu/2012.256_full.jpg, rendition original) — staged 2026-09-29 by worker IMAGES-1 (corpus/incoming/images-egypt/roberts-egypt-nubia/STAGING.md, _meta/items/)
- licence
- public domain — CC0 1.0 (https://creativecommons.org/publicdomain/zero/1.0/; archive.org licenseurl); Louis Haghe (1806–1885); David Roberts (1796–1864): public domain by age; ruling IMG-1 / DL-2 (Yousef 2026-09-29)
- share
- public
- attribution
- The Cleveland Museum of Art, Bequest of John Bonebrake 2012.256
- file
- Images/Roberts – Egypt & Nubia/Egypt & Nubia, volume I/043.cma-2012.256.plate.L0.txt
L0 witness
Cite as:
Egypt and Nubia, Volume I: The Great Temple of Aboo-Simble, Nubia. Cleveland Museum of Art 2012.256, via https://archive.org/details/clevelandart-2012.256-egypt-and-nubia-volu (image https://archive.org/download/clevelandart-2012.256-egypt-and-nubia-volu/2012.256_full.jpg, rendition original) — staged 2026-09-29 by worker IMAGES-1 (corpus/incoming/images-egypt/roberts-egypt-nubia/STAGING.md, _meta/items/). Layers as published by the Kemetic project (Yousef Hanna), 2026: Coptic · Cairene · Kemetic, /doc/images/roberts-egypt-and-nubia/egypt-and-nubia-volume-i/043.cma-2012.256.plate/. The Cleveland Museum of Art, Bequest of John Bonebrake 2012.256
What the layers are
The text as its witness or edition has it, original spelling; its dialect is a description and is never standardized.
For Egyptian texts: the transliteration with the editors' marks turned into the symbols ° * < > _ ^ (ruled 2026-09-10). For papyri: the edition's Leiden marks as the same symbols, and the editors' readings beside the scribe's as ‹scribe→editors› (ruled PAP-3).
Standardized Greco-Bohairic spelling and grammar, generated by code from the layer above under the rulings of the project.
The Kemetic alphabet, generated by code from L1.
Quoted translations where they exist, credited; otherwise model drafts, marked as drafts.