Source and licence
share: publicnoneSource: Cleveland Museum of Art 2012.263, via https://archive.org/details/clevelandart-2012.263-egypt-and-nubia-volu (image https://archive.org/download/clevelandart-2012.263-egypt-and-nubia-volu/2012.263_full.jpg, rendition original) — staged 2026-09-29 by worker IMAGES-1 (corpus/incoming/images-egypt/roberts-egypt-nubia/STAGING.md, _meta/items/)
Attribution: The Cleveland Museum of Art, Bequest of John Bonebrake 2012.263
Licence: public domain — CC0 1.0 (https://creativecommons.org/publicdomain/zero/1.0/; archive.org licenseurl); Louis Haghe (1806–1885); David Roberts (1796–1864): public domain by age; ruling IMG-1 / DL-2 (Yousef 2026-09-29)
The text
5 lines · a line number is a link to itself| ref | L0 witness |
|---|---|
| 1 | Egypt and Nubia, Volume III: Approach of the Simoon-Desert at Gizeh |
| 2 | Cleveland Museum of Art: 3 — volume 3, seq 37, plate number not stated (the holder's capture sequence is not a checked plate number). |
| 3 | Egypt and Nubia, Volume III: Approach of the Simoon-Desert at Gizeh, 1849. Louis Haghe (British, 1806–1885), F. G. Moon (British, 1797–1871), after David Roberts (Scottish, 1796–1864). Color lithograph; sheet: 43.6 x 60.4 cm (17 3/16 x 23 3/4 in.); image: 33.1 x 48.5 cm (13 1/16 x 19 1/8 in.). The Cleveland Museum of Art, Bequest of John Bonebrake 2012.263 The invention of photography was announced in 1839, but photographers did not arrive in Egypt until around 1850. Prior to that, general knowledge about the ancient sites came from writings and reproductions of the paintings and drawings of adventurous artists. Roberts, the first British artist to produce a series of Egyptian views, traveled through the Middle East in 1838–40. Back in England, he worked with Haghe to translate his drawings into color lithographs, which were published between 1842 and 1849 as an opulent series of portfolios. A stimulating mixture of documentation and romanticism that still moves today’s viewers, Roberts’s images appeared just before the availability of photographic depictions of the region and inspired the photographers who followed in his footsteps. |
| 4 | 4,904 × 3,404 px, 5,602,594 bytes, rendition original, at the path in the `# file:` header. |
| 5 | THE PLATE IS NOT IN THIS REPOSITORY. This document is a provenance stub (kind = plate): the image is staged under Coptic OCR/corpus/incoming/images-egypt/, with its SHA-256 in the manifest.tsv beside it; the `_plates` link in this set's folder opens the staged images without a copy. |
Provenance
- title
- Egypt and Nubia, Volume III: Approach of the Simoon-Desert at Gizeh
- dialect
- none
- source
- Cleveland Museum of Art 2012.263, via https://archive.org/details/clevelandart-2012.263-egypt-and-nubia-volu (image https://archive.org/download/clevelandart-2012.263-egypt-and-nubia-volu/2012.263_full.jpg, rendition original) — staged 2026-09-29 by worker IMAGES-1 (corpus/incoming/images-egypt/roberts-egypt-nubia/STAGING.md, _meta/items/)
- licence
- public domain — CC0 1.0 (https://creativecommons.org/publicdomain/zero/1.0/; archive.org licenseurl); Louis Haghe (1806–1885); David Roberts (1796–1864): public domain by age; ruling IMG-1 / DL-2 (Yousef 2026-09-29)
- share
- public
- attribution
- The Cleveland Museum of Art, Bequest of John Bonebrake 2012.263
- file
- Images/Roberts – Egypt & Nubia/Egypt & Nubia, volume III/037.cma-2012.263.plate.L0.txt
L0 witness
Cite as:
Egypt and Nubia, Volume III: Approach of the Simoon-Desert at Gizeh. Cleveland Museum of Art 2012.263, via https://archive.org/details/clevelandart-2012.263-egypt-and-nubia-volu (image https://archive.org/download/clevelandart-2012.263-egypt-and-nubia-volu/2012.263_full.jpg, rendition original) — staged 2026-09-29 by worker IMAGES-1 (corpus/incoming/images-egypt/roberts-egypt-nubia/STAGING.md, _meta/items/). Layers as published by the Kemetic project (Yousef Hanna), 2026: Coptic · Cairene · Kemetic, /doc/images/roberts-egypt-and-nubia/egypt-and-nubia-volume-iii/037.cma-2012.263.plate/. The Cleveland Museum of Art, Bequest of John Bonebrake 2012.263
What the layers are
The text as its witness or edition has it, original spelling; its dialect is a description and is never standardized.
For Egyptian texts: the transliteration with the editors' marks turned into the symbols ° * < > _ ^ (ruled 2026-09-10). For papyri: the edition's Leiden marks as the same symbols, and the editors' readings beside the scribe's as ‹scribe→editors› (ruled PAP-3).
Standardized Greco-Bohairic spelling and grammar, generated by code from the layer above under the rulings of the project.
The Kemetic alphabet, generated by code from L1.
Quoted translations where they exist, credited; otherwise model drafts, marked as drafts.